War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
This is quite a sympathetically shot docudrama that looks into the mysterious death of a young girl. She is found hanged and everyone assumes that she took her own life. As we receive the results of the post-mortem examination, though, we discover that perhaps all is not as it seems. It’s told from the perspective of the director (Miryam Charles) who happened to be the victim’s cousin and using a combination of facts and a really quite evocative performance, she tries - a decade later - to find out just what happened and, more speculatively, why? It was Tessa (Schelby Jean-Baptiste) who died and her life, or a possible version of it, is presented to us as we try to not just garner some clues but also to envisage how she might have lived her life had she survived. The film uses an intimate style of photography to take us into her character and I found that quite affecting and sometimes incongruous given what we already know to be true. The family originally hail from Haiti so violence is never far from their minds, but so too is a beautiful island that offers a degree of hope, too. Of return? Of hoping never to? It’s a slow burn but that seems to facilitate a deliberate act of remembrance tinged with sadness and peppered with joy. It’s also quite an odd film to watch: it doesn’t really conform to anything I’ve seen before as it deals with grief, bewilderment and it offers us no definite conclusion. Worth a watch, but expect something that’s more of an extract of life than a story in itself.