The Truth About Anxiety

A short film portrays the events of a depressed man's day, culminating, presumably, in his suicide, though the ending is ambiguous. Afterwards, a roundtable of mental hygiene professionals and social workers examine the film, while discussing the phenomenon of suicide more broadly.

Damon Smith has estimated that he has spent around 50,000 hours of his life, so far, participating in absurd ritualistic behaviours associated with his obsessive compulsive disorder (OCD). With a diagnosis of both, OCD and Bipolar Disorder, and with the help of his anxious friend, Adam Coad, these Australian singer-songwriters share, through original music, preposterous humour, and outlandish animations, the intricate and debilitating nature of what it is like to live and talk about mental illness in a world where it’s ok to talk about a broken arm, but not ok to talk about a broken mind.

A dare from Swedishllama (UrolithicOak)

Using local media footage from the London Borough of Southwark spanning the past 20 years, this documentary discusses complex social issues including gang violence, knife crime, and mental and sexual health.

Alex Anna’s body is a canvas: her scars come to life to tell a new story of self-harming.

For the first time in history, mental illness and suicide have become one of the greatest threats to school-aged children. Many parents still view dangers as primarily physical and external, but they’re missing the real danger: kids spending more time online and less time engaging in real life, free play, and autonomy. What are the effects on the next generation's mental, physical, and spiritual health? Childhood was more or less unchanged for millennia, but this is Childhood 2.0.

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

Joe wants to be a rapper. Max wants to be a filmmaker. They go to a secluded house in rural Virginia to document the production of Joe's demo CD. But what begins as a funny music documentary turns into a film about Joe's harrowing battle with a self-destructive alter-ego.