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Bandaged wrote a romance about his breakup and is about to launch it at the biggest literary event ever, BasicCon. There, the police are causing riots over censorship on LGBTIA+ books, but no commotion is bigger than his ex showing up.
"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
Welcome to the neon studio of Carolina Pereira. Bem-vindo ao estúdio neon da Carolina Pereira.
Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.
At the end of the brazilian military dictatorship, a bored elevator operator gets her dull work day shaken by the pursuit of marxist revolutionaries by two army generals.
ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.
An intimate portrait of one of the most loved footballers; Ronaldinho. This documentary looks at his childhood in Brazil, his breakthrough to professional football and his journey to Europe including the ground-breaking years with Barcelona. We hear from his family, teammates and peers in a truly heart-warming story of one of the games greats.
Four inconsequential young people and a dream at stake... in an attempt to better understand the steps that followed a tragedy, stories are told and memories are revisited: dive headfirst into the chaotic universe of the band Vicious Resonance.
An examination of the relationship between the life and art of Maria Martins, now recognized as one of the greatest Brazilian sculptors, in addition to her engravings and texts. The film reveals the greatness of her work and her boldness when dealing directly with the feminine perspective of sexuality, a transgression that led to attacks by Brazilian critics. In parallel, her life as the wife of an important diplomat and her connection to Marcel Duchamp, in a relationship of mutual collaboration between the two artists.
The film seeks to address the risks that Ziraldo's work takes. In a building abandoned ten years ago, the cartoonist's "Santa Ceia", a six-meter-high work painted in 1967, is far from the public and subject to the effects of time
