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Tze Woon Chan sets out to depict the current state of affairs in Hong Kong as the Chinese Communist Party continues to rewrite the treaty that saw it transfer from British rule in 1997 in this interesting but rather poorly constructed documentary. It follows a group of activists - old and young - as they try to fight for democracy against an overwhelming political and authoritarian regime and at times it uses actuality to potently illustrate the dangerous predicament faced by those opposed to the increasing limitation of their freedoms. The thing about the actual documentary, though, is that is mixes fact and "faction" in a way that is sometimes none too clear. The camera work is intimate amidst the scenes of protestation, but it isn't always obvious what is real and what is staged. The narrative is clear enough - and, uniquely, demonstrates to the audience just how the locals have gone full circle from being Chinese under colonial rule, to autonomous under communist rule to now, to a large extent, wanting to be independent Hongkongers. Unlike so many other subjects of the CCP state, many of these individuals grew up with freedoms - of sex, education, liberation and having had what they are now beginning to lose and miss, there is an enhanced traction derived from their demonstrations against an authority that reminds one of David and Goliath. The chronology of that struggle is also a little muddled, I found. We move from 1967 to 1973 to now, via a series of troubles dating from the governments of both east and west and I could have been doing with a more defined structure to make it easier to follow whom, what, where, when - that context is lacking and so the narrative judders about unnecessarily. It's clearly a labour of love from this director, and some of the imagery is raw and, frankly, brutal and deeply though-provoking. Crowd funded, it is a testament to those involved that it got made at all, and it s certainly worth a watch - but perhaps a rebuild might prove more informative and useful for those less familiar with the issues and the language.
In 2019, Hong Kong was swept by demonstrations against the controversial extradition bill. At the Polytechnic University, a group of students also takes a stand for freedom and democracy. Negotiations with the police are chaotic and aggressive, conducted via megaphones and politically charged music played over loudspeakers. The colorful umbrellas which the young people use to protect themselves against the brutal police actions emphasize the group’s bravado, which borders on recklessness. What begins as an energetic battle against the establishment turns into a lopsided game of cat and mouse when the police decide to surround the building. Within its red brick walls, the university building becomes a prison. Over the nearly two weeks that follow, as fear and exhaustion grow among the hundreds of students, so does the uncertainty. Should they hang on inside, or leave the building to face the armed police?
The fantastic story of how an ancient martial art, Chinese kung fu, conquered the world through the hundreds of films that were produced in Hong Kong over the decades, transformed Western action cinema and inspired the birth of cultural movements such as blaxploitation, hip hop music, parkour and Wakaliwood cinema.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
The story of the 2019 Hong Kong protests, told through a series of demonstrations by local protestors that escalate into conflict when highly armed police appear on the scene.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
Cheung Chau, once a fishing village in Hong Kong, has transformed into a tourist spot. Ri-Tai, a food stall run by A-Cheung, reflects local life, absurdities, and societal realities. A-Cheung spends his days playing games with customers like Plumpy, forming bonds that transcend generations. However, the onset of COVID-19 disrupts this sense of community, leaving the island deserted and questioning whether Ri-Tai's simple way of life will vanish.
Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.
Memories of his four-year journey focused on the Hong Kong protests. Narrated in the first person, is rich with reflections and contemplations, most intertwined with feelings of guilt.
The film Made in Hong Kong allows glimpses on a Hong Kong shortly before the 1997 handover to China. But rather than focusing on the expected hysteria Luc Schaedler’s documentary debut works towards complexity by allowing six diverse residents to talk about their relationship to the colonial city. Their life stories beautifully mix with the images of the author. Made in Hong Kong is a very personal portrait of a city in transition and we learn about Hong Kong’s ambiguities and its political and social problems, as well as the uncertainties regarding the time after 1997.
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
Tells the story of how Edward Snowden managed to evade capture by the US. For the first time Snowden tells the story of how he managed to escape so that not to have to spend the rest of his life in an American prison.
