人見知りで恥ずかしがり屋だって色んなセックス経験したい！ぜ～んぶ初体験！ドキドキのめちゃイキ3本番

Sacred Water is a film about female ejaculation and the discussions around it.

Yoriko Jun turned Miyuki Fukashi’s sensual novel with the same name into a movie. An ordinary office lady and a boy meet on the Internet, they get into a master-slave relationship and are drowned in a world of pleasure.

A down-and-out businessman travels to a seaside town, where he meets a woman with unusual sexual powers.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

In Columbus' Cursed Colony join two scientific expeditions on a journey that takes you beneath the waters of La Isabela Bay in Dominican Republic to search for the lost fleet of Christopher Columbus.

This is the story of one of the most well known but perhaps least understood moments of conflict and controversy in the history of sport: the infamous Bodyline test cricket series of 1932 and 1933. Self-confessed cricket tragic and comedian Adam Zwar will try to discover what happened at the crease and chart the wider social and cultural implications of the controversy by enlisting historians, sports scientists, and cricket stars to simulate the actual events. Is there more to the legend of Bodyline than we think? Adam is going back in time to live out a childhood fantasy or two. He is going to use machines, fancy cameras, and the latest in computer graphics. Modern day players will help him prepare. Adam will witness the real damage a high speed cricket ball can do. In the end, Adam will be on his own - with no helmet, no modern padding, and just a bat for protection. How will he handle this ultimate test?

The film sought to portray a relatively unknown and isolated rural world and, through a highly politicized discourse, affirmed the genuineness of “folk culture.” Representative of the new documentary film movement that developed in Portugal after the revolution, the movie encouraged the local retrieval of the Caretos tradition. A ritual that seemed to be doomed by the conjoined impact of emigration, the colonial war and the crisis of agriculture was thus brought back to life. - Paulo Raposo