Ass-Splittin' Surprise

A collection of Jim Henson's commercials, industrial reels, short films and some related talk show appearances. Includes Henson's Oscar nominated short, "Time Piece," in its entirety. Part of the Jim Henson Legacy's "Muppets, Music & Magic" program that debuted at the Brooklyn Academy of Music in 2004.

A collection of the band's most famous promos from 1995's 'Vow' to 2007's 'Tell Me Where It Hurts'. Includes the documentary "Thanks For Your Uhh, Support".

Part one of an insight into the underground music that was 'Oi!', a derivative of Punk that stayed mainly unheard. Presented here is a collection of promos and live performances from Sham 69, The Blood, Cock Sparrer, The Angelic Upstarts, The Cockney Rejects, Splodgenessabounds, Peter and the Test Tube Babies, The Toy Dolls, The Business and Red Alert.

Selections include Kelley's Plasticon Pictures, the earliest extant 3-D demonstration film from 1922 with incredible footage of Washington and New York City; New Dimensions, the first domestic full color 3-D film originally shown at the World’s Fair in 1940; Thrills for You, a promotional film for the Pennsylvania Railroad; Stardust in Your Eyes, a hilarious standup routine by Slick Slavin; trailer for The Maze, with fantastic production design by William Cameron Menzies; Doom Town, a controversial anti-atomic testing film mysteriously pulled from release; puppet cartoon The Adventures of Sam Space, presented in widescreen; I’ll Sell My Shirt, a burlesque comedy unseen in 3-D for over 60 years; Boo Moon, an excellent example of color stereoscopic animation…and more!

The movie is more or less a retelling of the first few episodes of the series that is not much more than a slightly padded director's cut. You do learn some interesting details such as where Yugi's dad is, a look at the flame haze who was in the city before Shana, and even a couple of new powers for the Reiji Maigo. The story is certainly fleshed out quite a bit more and the final 15 minutes of the film comprise a surprisingly powerful conclusion (worth the price of admission on its own), but I would have liked a more original story rather then a highly polished version of one that I've already enjoyed. In the end, spectacular visuals, great new music, and well thought out additions to the core story leave you feeling glad to have seen the film. On the other hand, the fact that anything new that was added obviously doesn't change the events that come later in the series means that established fans will likely leave the experience less than satisfied.

A double-length holiday cartoon plus a Christmas bonus.

Collection of greatest videos by Frankie Goes to Hollywood.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

Shouyou Hinata, after losing to Kitagawa Daiichi Junior High's setter Tobio Kageyama in his first official volleyball match, transfers to Karasuno High, intent on finally having a proper volleyball team and getting his revenge on Kageyama. Upon arrival at Karasuno, however, Hinata finds out Kageyama has also gone to Karasuno. Initially at odds with each other, the two form an oddball combination and fight together with the other members of the volleyball club. Karasuno reunites with a former rival school, Nekoma High, in a practice match and reignites their school rivalry.