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Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.
In the early 1920s, Yasuko, a budding actress, crosses paths with Chūya Nakahara, a young poet destined to be revered as a genius. Drawn to each other by their shared pretentiousness, they begin living together and quickly fall into a complex relationship. Their lives take a dramatic turn when they move to Tokyo and are visited by Hideo Kobayashi, a friend of Chūya’s who would later emerge as one of Japan's foremost literary critics. This seemingly chance encounter not only alters Yasuko's fate but also entwines the three of them in an intense and inescapable destiny.
A posthumous look at the last days of Guenther's life as he, his best friend, and his sister let loose on a four-day binge of alcohol, drugs, and sex.
A dramatic recreation of Dylan Thomas' last tour of America, starring actor Bob Kingdom as the Welsh poet. Originally a successful stage production, the show was adapted for this recorded version by renowned actor Anthony Hopkins (in his directorial debut). Dylan Thomas was one of the twentieth century's greatest poets. He was born in the Uplands district of Swansea in 1914 and died in New York in 1953 at the age of 39. Towards the end of his life, Dylan Thomas toured America, performing his works before sell out audiences across the country. The film features the poems "Fern Hill"; "Do Not Go Gently into that Good Night"; "A Poem in October"; "And Death Shall Have No Dominion"; "A Story (The Outing)" and "Return Journey" .
The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.
The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
Narcisus and Psyche is based on a novel by Sandor Weores which was adapted by Vilmos Csaplar and director Gabor Body for a feature-length film. Borrowing the character of Psyche from mythology and placing her in Europe in the 19th century, the authors give her a "modern" life. She is an attractive young woman - and remains so throughout the film, in spite of one hardship after another. Psyche is libidinous, and her prurient interests shock her staid contemporaries.
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
The film narrates a tormented love story between one of the most famous poets of Serbian literature, Laza Kostic, renowned for his sublime poetic puns and word coining and an enchanting young girl by the name of Lenka Dundjerski, an educated and refined daughter of a landowner Lazar Dundjerski. Standing in the way of their love is the insurmountable age gap between the two, as Kostic is 29 years older than his beloved one. The affair inspired one of the most sophisticated and tender love poems of the time, an utmost expression of yearning, in which the poet's unflinching devotion is linked to his admiration for a Venice basilisk by the name of Santa Maria della Salute.