Love and Soda

Mary Sundale is a young woman who spurns her childhood sweetheart to attach herself to a large group of riotous, semi-artistic young people and becomes infatuated with a superficial poet and critic. One night this poet becomes too bold in his advances and is thrashed by the man who has been rejected. On a later night, the group holds a party in a dirigible. The ship crashes and fear grips the revelers. Mary, now disgusted with the group and all it represents, mends her manner of living and plans a future with the man who has always sincerely loved her. A lost film.

A 1919 film directed by Sidney Franklin.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.

"'Boxcar' Simmons, a tramp, represents himself as a mining millionaire in a small town. The population accepts him at his own valuation, and two of the town's 'slickers' make desperate efforts to 'take him for his roll.' One of their schemes is to sell him a worthless ranch, but he turns the tables on them by making them believe that the ranch is a veritable bed of silver ore, and then, after they buy it, he presents the major part of the proceeds to the girl who owns the place and with whom he had fallen in love." (Moving Picture World, 24 Jun 1922, p. 736.)

Upon striking oil on his farm, Silas T. Pettingill (Charles Eldridge) moves to Park Avenue at the behest of his social-climbing wife Maria (Kate Blancke) and daughter Helen (Emmy Wehlen). But like Jiggs in the comic strip, Pettingill never loses his common touch, and one evening he goes out on a toot with his new chauffeur Hubert Stanwood (Paul Gordon).

Three Broadway chorus girls seek rich husbands.

Ann, a 19-year-old girl who looks much younger, meets a dashing army major on a boat sailing from Liverpool to Bombay, India, and falls in love with him. Her love appears to be unrequited, though, because the major thinks she is far too young-and also, unknown to her, because he had once been in love with her mother. When a fellow passenger on the ship takes advantage of the naive girl the major comes to her rescue, but in the process the girl finds out about the past relationship between he and her mother.

The ambassador of the Kingdom of Luvaria orders Baron Belmar, his attaché, to win the interest of Mona, wife of the war minister, who opposes a treaty the ambassador very much wants signed. However, his mission is complicated by the fact that Helene, the ambassador's wife, is extremely jealous of every woman he meets, for she was responsible for getting him his appointment as attaché. Belmar, nevertheless, is in love with Greta, who will not marry him until he is proven worthy of her trust. After many narrow escapes from exposure of the personal intrigue, he manages to sway the attentions of Mona, who persuades the war minister to sign the treaty, thus gaining Belmar an appointment as ambassador to Peru and Greta as his wife.

A lost film. Teddy Drake is a pleasure-seeking aristocrat who ends up expelled from his exclusive Fifth Avenue club for playing practical jokes and other rambunctious antics. He decides to reform his selfish ways and boards a train heading heading for the Southwest.

Cult director Charles Band brings you this "Last Tango in Paris" spoof with editing by acclaimed filmmaker John Carpenter.

Rooly, Pooly and Dooly were "picture sandwiches," but hardly shining lights, even in that capacity. Consequently they were "canned" by the management. A brilliant idea; one would play the wild man in the village square, a real live show of their own. Rooly and Pooly then basked in the society of fair country belles, but Dooly at length was rescued by Miss Smart, looking for excitement. She was not disappointed.