I Used to Be Funny

During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.

The true story of boys being sexually abused at their orphanage, run by a religious community in Newfoundland.

Father Michael McKinnon goes from the UK to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

A complex and fascinating experimental exploration of time and identity, Anti-Clock is a film of authentic, startling originality. Brilliantly mixing film and video techniques, Arden and Bond's paranoid, psychological surveillance study of a career gambler turned clairvoyant unstuck in time captures onscreen the anxieties that have infiltrated the consciousness of so many in Western society.

Anne B. Real is the coming of age story of a young female rapper, who finds her inspiration by reading the Diary of Anne Frank.

In a contemporary world in one of the European cities, three friends, as they face a military conflict in their country, must modify their plans for the future.

A man recalls his relationships with the women he loved as he tries to help another man try to understand them as well.

A brutal assault changes Marieke's life. She leaves her familiar city rhythms for the solitude of a isolated house in the countryside. Her irrational fears on the frozen farm are a constant struggle. As spring's orchestra begins, her curiosity for new things that cover the cold rot of winter pull her out of the suffocating interior of her mind. Slowly she accepts the help of John, her neighbour.

Judy O'Brien is an aspiring ballerina in a dance troupe. Also in the company is Bubbles, a brash mantrap who leaves the struggling troupe for a career in burlesque. When the company disbands, Bubbles gives Judy a thankless job as her stooge. The two eventually clash when both fall for the same man.

Rose is taken in by the Hillyer family to serve as a 1930s housemaid so that she can avoid falling into a life of prostitution. Her appearence and personality is such that all men fall for her, and she knows it. She can't help herself from getting into trouble with men.