One-to-Three

In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.

Dulcy, a devoted but scatterbrained bride, tries to improve her absent husband's finances by inviting two of his business prospects to dinner. Though at first thoroughly confusing the deal, she does get her husband a bigger share than he bargained for.The film is now considered to be lost.

In a small town in Indiana in the 1890s, the domineering and ambitious Mrs. Biddle arranges a marriage between her spoiled daughter Thelma and the town's prize catch, harvester David Langston, who is wedded to the soil. David is friends with orphan Ruth Jameson and, although she is in love with him, he eventually gives in to the machinations of Mrs. Biddle and consents to marry Thelma. Meanwhile, technological advances come to town, including its first gasoline buggy, galvanic battery, and metal bathtub fitted with running water. When Mrs. Biddle tries to convince David to give up the farming life and join her husband in real estate, Mr. Biddle, hen-pecked and dissatisfied with city life, warns David against selling his farm.

Once a lot of grown-up girls organized a club for the discussion of current evils. The principal current evil they discussed was man. The object was to find some way to keep them home at nights. One dame thought every wife ought to provide her companion with an intellectual atmosphere so he wouldn't sneak out at night to the thirst parlor.

When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

The Dawn of Understanding is a lost 1918 American silent Western comedy film produced by The Vitagraph Company of America and directed by David Smith. It stars Bessie Love in the first film of her nine-film contract with Vitagraph.

Sweedie, the cook, reads an ad in the newspaper for a maid to give her services in exchange for college tuition. She applies and is accepted.

Three young girls, pledged to spinsterhood and contempt for mankind, go camping in the woods. Three boys, unpledged to anything save fun and the joy of living, likewise go camping. Fate spins the wheel and the six, pledged and unpledged, pitch their tents not far apart.

Jim Ogden, secretly engaged to Madge Hemmingway, wealthy heiress, becomes sensitive over his lack of money and breaks the engagement. In a moment of pique she marries Count Van Tuyle. After six months she returns from Europe, minus her husband. Trying to forget her error, she goes to the country.

This tells of a pretty miss, expelled from a girls' school, who goes in for a harmless adventure. She poses as a slum girl and is taken in tow by a snobbish society girl, who at first befriends and then tries to impose, upon her.

Brick Hubbard, a "printer's devil", convinces his friend Sid Fletcher to invest in "The Gazette", a local newspaper. Sid pens an editorial that infuriates Ira Gates, a local banker and a power in the town-and who also happens to be the father of Vivian Gates, whom Sidney is in love with. To complicate matters, the bank is robbed and Sidney is suspected of the crime.