Iñigo

A randomly chosen name and random scenes shot in two different hours. Monologue (story) adapted later according to name and scenes with "Funkadelic - Maggot Brain".

2 flatmates unfold the layers of their relationship on a random Sunday afternoon after they encounter a power cut.

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

A troubled man returns home for the last time.

Welcome Home.

Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.

A man and women have dinner, a steak, and his woman ( second steak) also does.