Iñigo

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

Amidst the realm of her parents' upscale nightclub, a young woman embarks on a surreal odyssey to confront her identity, only to find herself inescapably mirroring her father.

Thevan, a folk singer of the Paanan caste, has a fateful encounter when escaping slavery, leading to discover an ancient tradition altering his destiny.

A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.

Hunter, a bride-to-be, feels overworked and unappreciated. Her artistic spirit is squelched by the shallow corporate world she’s in and she has had enough. Unfortunately, she feels as if she can’t turn to Ian, her commercial executive fiancé, for solace. As her wedding day approaches, Hunter and her three bridesmaids embark on a road trip to Las Vegas for one last hoorah together. As the girls venture from the city, they decompress and let their personal barriers fall. An impromptu sightseeing excursion into the desert leads to a clash of anxieties and attitudes between Hunter, the bridesmaids, and her fiancé as Hunter searches for the road that’s right for her.

Upon becoming aware of an ancestor guilty of several cruel acts who bore a striking resemblance to himself, a man begins to fear he too could be capable of similar sadistic deeds.

The short film captures the memory of an apartment and its surroundings: a young adult man lives his daily life, a journalist interviews a retired novelist who grapples with the idea of the end of the world, and two young boys searching for portals. Three storylines intertwine as the film progresses.

A queer poet navigates heartbreak through writing, techno, and self-destruction.

What appears at first glance to be a patterned floor of traditional Islamic tiles is in fact an intricate installation of hand dyed sand. In a light-filled room in an abandoned house, the artist steps into frame to sweep it away, breaking the illusion and destroying the image of traditional heritage.

The journey of a boy accepting that his lover is gone

Flashing lights explode across an apartment as images of a naked woman in bed flicker in and out. Light paintings and projections illuminate a space of confrontation and an assault on the senses.