Harvesting the Crust

Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band’s favorite band.

In the early 80s, some bored young people in Hultsfred arrange a gig with the bands Ebba Grön and Dag Vag. It will be the starting point for what would become Sweden's biggest music festival.

In depth look at the life and death of INXS frontman Michael Hutchence (1960-1997), who took his own life at an Australian hotel room at the age of 37 on November 22, 1997. Featuring interviews with his family, bandmates and friends such as Bono.

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

30 years after their emigration, Danni interviews his family and tries to learn their story to reconcile with the past.

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

This special takes a look at the show’s origin and evolution, through interviews with the cast and original directors, featuring special musical performances, as well as behind the scenes commentary on Martin’s impact.

A friendsbook was like Facebook during the Soviet times. Many had one. Russian kids called it a Form. Classmates were asked to write in it and say what they thought love is, what they wanted to be when they grow up, what their favourite food was. It was mostly girls who had friendsbooks, of course. Twenty-five years later, Alyona Surzhikova browses her 6th grade friendsbook and decides to go and find her then classmates to ask whether their dreams have come true. She travels to Russia and Germany and even Cambodia and puts together a thought-provoking aggregate portrait of the Russian generation that grew up during the restoration of Estonia’s independence. Many of them have left Estonia by now, with half of Surzhikova’s classmates living abroad. Why did they do that? What do they think about Estonia? And what would they write into the Form now?