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He can do their killing for them. As long as it's on the other side of the street. Man from Del Rio is directed by Harry Horner and written by Richard Carr. It stars Anthony Quinn, Katy Jurado, Peter Whitney, Douglas Fowley, John Larch, Whit Bissell, Douglas Spencer and Guinn Williams. Music is by Frederick Steiner and cinematography by Stanley Cortez. Mexican David Robles (Quinn) has taught himself to be a gunfighter because he wants revenge on Dan Ritchy (Barry Atwater). Revenge he gets in the town of Mesa. It soon becomes apparent that Mesa has problems, the sheriff is weak willed and lawlessness is being orchestrated by Ed Bannister (Whitney). Seeing that Robles has something tough about him, the townsfolk urge him to become sheriff. But that doesn't mean they want anything to do with him socially… I like your whiskey. But I'm not sure I like you. Very tidy. The formula is standard, following along the lines of many a Western movie that featured a town tamer or stoic law man thrust into a life and death struggle for a town that doesn't deserve help. Man from Del Rio does not, however, lack for intelligence, offering up a bubbling under the surface racism strand that pits the lonely and uneducated Robles in a battle to be accepted. Robles is by definition a Western anti-hero, he's coarse, unclean, drinks to excess and has no idea how to treat a woman. That his only skill is of being quick on the draw is something of a millstone around his neck, if that skill is taken away from him what has he got to offer then? This is something we will inevitably find out, but it's worth the wait to see how this characterisation turns out. Quinn is hugely enjoyable, he almost always was when playing this sort of rough and ready character. Jurado is a little under used, her character under developed as well, while Whitney is sadly too weak as the villain. Star of the show is Bissell, playing the town drunk who becomes Robles only avenue for discourse, Bissell instills the character with pathos and humour and it's a joy to watch. Horner and Cortez (The Magnificent Ambersons/The Night of the Hunter) shoot it in chiaroscuro to great effect, very much complimenting the air of alienation hovering over Robles. Horner also has a keen eye for an imposing scene and a good ear for humour, both evident here with a heart aching scene involving the hapless sheriff and with some of the barbs emitted from Quinn and Jurado. Well worth seeking out by Western fans. 7/10
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver
On a train trip out west to become a mail-order bride, Susan Bradley meets a cheery crew of young women traveling out to open a "Harvey House" restaurant at a remote whistle-stop.
Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
Rancher William Norton refuses to sell his cattle for half price, so saloon owner and gang leader Jim Fletcher, contrary to the orders from his secret boss Willard McGowan, the town banker, has his men rob and beat up Norton. Unknown to anyone, Marion, McGowan's adopted daughter is really the daughter of Norton, who disappeared as a young baby when she and her mother were passengers on a stagecoach held up by McGowan. Chuck Saunders, Norton's foreman, goes after the gang for robbing his boss and eventually uncovers the truth regarding Marion's heritage.
Western remake of Jack London's The Sea Wolf. A sadistic mining camp owner "hires" scoundrels to work the mine. He just won't let them quit.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
Oregon, 1885. A group of men leaded by tracker Old Jack is searching for fossils in a desolate valley. Snow, freeze and gunfighter Brigham will make their lives precarious.
