Lumina 2024 - Movies (Mar 9th)
My Husband the Cyborg 2025 - Movies (Mar 9th)
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In the Summers 2024 - Movies (Mar 8th)
Old Guy 2024 - Movies (Mar 8th)
Captain America Brave New World 2025 - Movies (Mar 8th)
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Tuesday 2024 - Movies (Mar 7th)
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CHAOS The Manson Murders 2025 - Movies (Mar 7th)
George A. Romeros Resident Evil 2025 - Movies (Mar 7th)
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Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
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Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
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Lumina 2024 - ()
My Husband the Cyborg 2025 - ()
Flow 2024 - ()
In the Summers 2024 - ()
Old Guy 2024 - ()
Captain America Brave New World 2025 - ()
Moana 2 2024 - ()
Ghost Cat Anzu 2024 - ()
The Silent Planet 2024 - ()
Tuesday 2024 - ()
Plankton The Movie 2025 - ()
CHAOS The Manson Murders 2025 - ()
George A. Romeros Resident Evil 2025 - ()
The Little Mermaid 2024 - ()
Bloat 2025 - ()
Confessions of a Romance Narrator 2025 - ()
Woods of Ash 2025 - ()
Agents 2024 - ()
Barbie and Teresa Recipe for Friendship 2025 - ()
Picture This 2025 - ()
Another good doc about a place in time (Y2K/9-11) and the people who created art our to pain and desire. Lots of good archival footage and some driving interviews that make you want to go out and start a band too. Best line I’ve ever heard about how to relate tp parents disappointment about wanting to be a musician: “my parents were immigrants and you tell them you want to be in a band, I may as well have told them thanks for all that but I wanna go put on some clown shoes”. Simply awesome.
Not that it's exactly comparable, but I grew up very much amidst a folk music scene with loads of extremely mediocre working-class musicians - ballad singers, guitarists, fiddlers etc., who all thought they would go on to some sort of musical greatness. Watching this, it's good to know that those ridiculous pipe dreams were not just confined to Glasgow in the 1970s. Spool on to the early naughties and we are presented with a collection of "musicians" living in Yew York City with aspirations that in the vast majority of cases way outstripped their talents. The one exceptions is probably Julian Casablancas, who managed with "The Strokes" to get his head above the parapet of bland noisemaking, and here the documentary is quite potent at illustrating that the stresses of achieving and building on success are actually just as tough as those involved in getting noticed in the first place. On a more generic level, it does point out how tough this industry is, how hard people work to achieve little better than a subsistence existence and at just how transitory and fickle it all can be, but I did tire a little of the also-rans who whined on about sexploitation and objectification as if they'd had been living under a rock for most of their lives. They dreamt of success and acknowledgement in an industry that was/is riddled with sexualisation and somehow it came as a shock to them - pissed and stoned as they invariably were. Real talent is the best fast-track to initiate meaningful and lasting change. It's an interesting fly-on-the-wall style of production with loads of archive, busily edited to leave us with an authentic-looking view on the lives of these people, but I felt most of them really had no idea what they were doing and the fact that 9/11 occurred midway through the chronology of the narrative seemed merely designed to attempt to bedrock this otherwise flighty and shallow assessment of a music industry that took me back to those nights in the pub, with the folk singers who sounded great after eight pints, but who had no shelf-life beyond that!
Before Avicii, there was Tim. Through his own words, witness how a prodigious musical talent became one of the defining artists of his generation.
Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
Utilizing a wealth of archival footage featuring Prince, Aretha Franklin, Miles Davis and more, They All Came Out to Montreux is an affectionate story about how Claude Nobs turned his Swiss town into the home for one of the world’s biggest jazz festivals.
A YouTube-documentary that follows the life, career, and tragedy of Lil Peep
The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.
Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah
It took his whole life to live and three full years to film Chuck Leavell: The Tree Man. Filmed in four countries with more than 80 interviews from artists with a combined 58 Grammy Awards by the artist included, “Chuck Leavell: The Tree Man,” an Allen Farst film, is the cinematic documentary that shines a light on one of the greatest rock’n roll pianists and keyboardists over the last 40 years. Not just known for his musical influence, Leavell is also one of the biggest names in environmental forestry and was selected the National Tree Farmer of the Year in the United States. -His commitment to the planet and his strong family ties are refreshing reminders to be kind and treat your neighbor with respect. As Leavell puts it, “if you cut a tree down, plant two for the next guy.”
Michael Hutchence was flying high as the lead singer of the legendary rock band INXS until his untimely death in 1997. Richard Lowenstein’s documentary examines Hutchence’s deeply felt life through his many loves and demons.
An archival biography film about the early career of Deborah Harry told entirely through press interviews where she endures superficial, tedious, and demeaning questions from journalists.