Meet Me in the Bathroom

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

Here in Times Square is a concert television special featuring American singer-songwriter Alicia Keys. Recorded at Times Square in New York City, the concert featured Keys and various guests performing songs from Keys sixth studio album Here (2016) and her previous albums, as well as covers. The concert was directed by Hamish Hamilton and recorded on October 9, 2016. It aired on BET in the United States on November 3, 2016 and later in other countries. The concert featured guest appearances from a number of artists. Q-Tip, Nas, Questlove, John Mayer made an appearance and Jay Z joined Keys for a performance of "Empire State of Mind" (2009). Keys was joined on stage by her band and background singers. Tickets to the concert were free. The event was sponsored by Olay and the Mayor's Office for Media and Entertainment.

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

King of disco in the 70s with the band Chic, producer of Bowie, Mick Jagger, Madonna, Daft Punk, Pharrell Williams and many others... Nile Rodgers is today pursuing his fascinating career. We take a behind-the-scenes look at the genesis of some of the greatest hits, and at the complex alchemy between Nile Rodgers and the biggest stars of the last 35 years: Madonna, David Bowie, Diana Ross, Duran Duran, Bryan Ferry, Grace Jones, Michael Jackson, INXS, Mick Jagger, Rod Stewart and David Guetta. What are the secrets of this genius of the music world, who has succeeded in transcending successive eras, reinventing himself every time?

A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.

This 2005 documentary film chronicles the life of Daniel Johnston, a manic-depressive genius singer/songwriter/artist, from childhood up to the present, with an emphasis on his mental illness and how it manifested itself in demonic self-obsession.

A new, definitive look into the passion, humor and talent of Rasputina. Experience the rare and revealing never before seen footage through the artful lens of a one woman filmographer showcasing the honesty, hard work and sincere spirt of life on the road. Shot by Dawn Miceli during Rasputina's 2009 west coast tour, this unique documentary includes footage from back stage dressing rooms to front row recitals. Under the Corset is a truly intimate look into the music and mind of Melora Creager.

An examination of Manic Street Preachers' 1996 breakthrough album Everything Must Go in celebration of its 20th anniversary.

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

An on-the-scene documentary following the events of September 11, 2001 from an insider's view, through the lens of two French filmmakers who simply set out to make a movie about a rookie NYC fireman and ended up filming the tragic event that changed our lives forever.

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.