Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Hard Quiz - (Jan 29th)
The Chase Australia - (Jan 29th)
The One Show - (Jan 29th)
Is there any excuse available that will justify spending 2 hours, 45 minutes to watch this film? Or why I am gifting it three stars? It was a free rental at Redox. I normally enjoy Mark Wahlberg movies. I love Bumblebee. Do any of these hold water? I know one thing that doesn’t hold a lot of water – the story. Does it really matter at this point in the franchise? There are good guy Transformers called Autobots and bad guy Transformers called Decepticons and standing between them are stupid humans that betray their species for profit – normally it’s the U.S. Government. BUT wait – there is one hero that will change all of this and talk Optimus Prime (Autobot Boss Daddy) into fighting one last battle (for the fourth or fifth time – I’ve lost count at this point) while some hot-looking woman runs around explosions in short-shorts. You now know all you need to know about the entire _Transformer_ franchise. For this incarnation we trade out Shia LeBeouf for Mark Wahlberg and Courtney Fox for Nicola Pelz. And now for the twist…wait for it… Mark Wahlberg plays Nicola Pelz’s FATHER. That’s right – the FATHER. Yeah, it totally doesn’t work. At all. There’s a point in the movie about 90 minutes in where it looks like all the loose ends are going to get tied up and I thought: You know, that wasn’t so bad. Good action flick, a bit hoaky at points but watchable. And then the movie keeps going. And going. For another 90 minutes. And you basically watch the movie again except instead of it being in Texas and Chicago, it’s in China and Hong Kong. It’s too long, too many explosions, too many American flags and Texas flags in the background. This movie desperately needs an editor or it needs to be euthanized. Probably the latter. John Goodman and Ken Watanabe lend their voices serve as decent comic relief but there’s not a lot that can save this film. Bumblebee deserved better.
I guess even Michael Bay must have realised that by the fourth outing, this franchise needed refreshing. To that end, the previously long-suffering cast have been allowed to hang up their screwdrivers and a new set of characters have been drafted in. They are led by "Cade" (an enthusiastic Mark Wahlberg). Now he just happens to buy an old truck and it just happens to turn out to be the long lost "Optimus Prime". Of course, there are still agencies hunting for the robots and soon he and daughter "Tessa" (Nicola Peltz Beckham) are on the run from a militia controlled by the manipulative industrialist "Joyce" (Stanley Tucci). Quite why it needs to take 2¾ hours to get to the standard denouement is anyone's guess. Despite the inclusion of some Tyrannosaur-bots, the film has the same relentless predictability as the "Autobots" and "Decepticons" (if you can spot the difference) go through the same repetitively staged combat scenes before an ending that relies unduly on human intervention (oh yes, and lots of sentimentality too) before we essentially start back at square one with the usual "Optimus" monologue concluding the proceedings. This has the added benefit of a truly terrible performance from the always over-rated Kelsey Grammer who had a few, entirely futile, goes at being a cinema baddie and unlike the other films which had a semblance of internationalism to them, this is now an entirely American affair that just bored me. Surely no more...?
'Transformers: Age of Extinction'... what the hell happened here?! I actually seriously enjoyed a movie from this franchise, I'm honestly flabbergasted. It's written, directed and produced by the same people, though I wouldn't have predicted that whilst watching. This, to me, felt almost entirely different to the preceding films in the series, despite the aforementioned. The opening 45-60 minutes are especially entertaining, it does wobble in that regard once or twice but when all is said and done I actually had a lot of fun with this! I was, for the first time, actually invested into not just the robots but also the human characters too. It's a new bunch on the latter side and, despite minimally liking Shia LaBeouf & friends, I found this lot to be a big upgrade - the change also made it feel fresh. Mark Wahlberg is great as lead, Stanley Tucci and T.J. Miller (for once) are pluses as well. Nicola Peltz and Jack Reynor are the weakest members of those onscreen, though even then I was still marginally interested in them. Kelsey Grammer, despite playing a fairly standard antagonist, is good, as is Li Bingbing in a relatively smaller role. Peter Cullen, John Goodman and Ken Watanabe, meanwhile, impress with their voices. Upon starting this review, and still now, I was struggling to come up with negatives. I guess the near three-hour run time truly ought to be one, yet somehow it really... isn't, rather unexplainably. As for a criticism, the excessive product placement is all I've got, I'm afraid. I'm yet to see the reception that this got, as usual I'm hoping my thoughts are not an outlier in a sea of dissatisfaction. I'd guess it's rated as mid-ly as the prior installments, at worst. Not that any of this is all that important of course, because I enjoyed it and that's all that matters. I did not expect to be saying that, at all! *checks reception*: Welp. An outlier I seemingly am. Then again, 12k (on Letterboxd) others agree with my rating (and it incredibly again made a billion on the big screen, I see) so I guess it isn't as bad as it looks. Some uncertainty has crept into my mind, I'm thinking it over and comparing it with other films I've rated similarly and... it's not even in doubt. Wild.
World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.
G.I. Joe faces a new enemy as an ancient society of snake people known as Cobra-La try to forcefully take back the earth from those who drove them underground eons ago.
After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin in the dolls. When he finds out that his friend has betrayed him, Cho must prepare for the greatest battle he has ever been involved in.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.
In Los Angeles, a colorful assortment of bohemians try to make sense of their intersecting lives. The moody Dark Smith, his bisexual girlfriend, her lesbian lover and their shy gay friend plan on attending the wildest party of the year. But they'll only make it if they can survive the drug trips, suicides, trysts, mutilations and alien abductions that occur as one surreal day unfolds.
Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
Superman returns to discover his 5-year absence has allowed Lex Luthor to walk free, and that those he was closest to felt abandoned and have moved on. Luthor plots his ultimate revenge that could see millions killed and change the face of the planet forever, as well as ridding himself of the Man of Steel.
Walküre and Delta Flight used music to save people from the Vár Syndrome, a previously unknown disease that made humans and others go berserk. However, they find themselves facing a new threat.