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A solid enough send off for this 'Venom' trilogy. 'Venom: The Last Dance' is decently amusing and produces enough entertainment with its plot. I didn't personally find it overly funny, though the person a few seats across from me had an absolute blast - never a bad thing seeing people enjoy themselves! Tom Hardy remains the key element of these films, they would be far less enjoyable without his presence. There's a nice montage of sorts towards the end, it admittedly didn't 'hit' all that much for me but I imagine it's effective for proper fans of the series. Rhys Ifans and Chiwetel Ejiofor stick out most from the other characters.
The other two at the very least were enjoyable. This one, not so much. The villian is forced, the movie feels so chopped up, there's no threat because the creatures and Eddie both just heal each other. It had bad dialogue for some scenes, and a weird sub plot about shoes. Oh, and also, one of Eddie's flashbacks he wasn't even there for.
Perhaps this was just one sequel too many as the story here is really rather thin, but there's still enough chemistry between "Eddie" (Tom Hardy) and his eponymous symbion to raise a smile or two. This time it's not just the pursuing human population that's a problem for them, but there are creatures from the homeworld of "Venom" homing in on their unique "codex" so that they can help free their leader from incarceration to wreak havoc on the universe. Along the way, they encounter the hippie "Martin" (Rhys Ifans) and his family and cadge a lift in their VW camper-van whilst offering a fairly tuneless rendition of some David Bowie. It all builds up to a fairly predictable denouement with humanity facing some tough choices, the seemingly indestructible aliens on the verge of success and our intrepid partnership having to consider the ultimate sacrifice. Yep, we've seen it all before and though the visual effects are pretty impressive, that's not really enough to sustain it as it rather procedurally rolls along. There is occasionally some wit in the script and Hardy looks like he's having fun, but Chiwetel Ejiofor is largely under-used and it relies far too heavily on repetitive combat scenes to really make it stand out amidst the surfeit of 2024 comic-book derivatives. It's all watchable enough, but it's not a patch on the first one from 2018.
Venom: The Last Dance expands on the chaotic relationship between Eddie Brock and his symbiote Venom with more depth, tension, and humor, while also introducing a menacing new adversary in the form of the Xenophages. But yet, this cartonish way ended while making its last dance, really it was kind of last DANCE even writer pen director direction couldn't go with it and make its end like Bollywood was pretty mid honestly ____ we didn’t see venom much for a movie that ends a highly loved trilogy. also I didn’t see the “MAIN BIG BAD GUY of DARKNESS ANNIHILATION EVERYTHING” do anything. THAT GUY and CODEX concept couldn't go through to see but no MORE BLACK symbiote...
I like all the Venom movies. The humour works. Fun to watch Hardy play a puppet. Would have been a 10 without that blast door thing. Still a blast. No deductions for runtime.
I'm typically not a fan of the Marvel universe films. I find them over stated, not especially intelligent and oftentimes, quite repetitive. "Venom" is the rare exception to this rule. For starters there's Tom Hardy, who is, by any measure, an excellent actor. Secondly, there's the interplay between Hardy and Venom which can be genuinely funny. This latest and possibly last film in the series, "Venom: The Last Dance", is, I believe, the weakest in the line up. Unlike its predecessors, it feels a little bit rushed and somehow, anti climatic. That said, it still has its moments of engaging humour and not half decent action. In summary, its a shame to see "Venom" shelved (if in fact that's the case) as its one of the better Marvel universe franchises, with great chemistry between Hardy and his other worldly alter ego, Venom. Worth a look if you enjoyed the other films.
Okay, here’s the deal with _Venom: The Last Dance_. It’s like ordering your favorite burger and realizing halfway through they forgot the sauce. Tom Hardy? Still killing it as Eddie and Venom—his back-and-forth with himself is weirdly entertaining and even a little emotional. There are some genuinely fun and heartfelt moments that remind you why this duo worked in the first place. But man, the rest? A hot mess. The plot is all over the map, the new characters are forgettable, and the villain? Weak sauce. It feels like the filmmakers just kind of shrugged and said, “Eh, good enough.” Sure, there are flashes of that buddy-comedy charm, but not enough to save the movie from feeling like it’s limping to the finish line. If this is the final Venom movie (and I hope it is), I’m not gonna cry about it. It’s a mixed bag—fun in bits, but overall, it’s like Venom himself: a bit too sloppy to fully love.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
After an encounter with UFOs, an electricity linesman feels undeniably drawn to an isolated area in the wilderness where something spectacular is about to happen.
The evil Queen Bavmorda hunts the newborn princess Elora Danan, a child prophesied to bring about her downfall. When the royal infant is found by Willow, a timid farmer and aspiring sorcerer, he's entrusted with delivering her from evil.
Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.
A Trial-series cyborg pretends to be Kenzaki (Kamen Rider Blade), who quickly discovers the fraud and fights him. During their battle, the other Riders bicker humorously about which Blade is the fake, which constantly results in their attacking the real Kenzaki. As with all Hyper Battle Videos, this serves to explain in detail the Rider's various powers and abilities.
When Van Helsing's mysterious invention, the "Monsterfication Ray," goes haywire, Drac and his monster pals are all transformed into humans, and Johnny becomes a monster. In their new mismatched bodies, Drac and Johnny must team up and race across the globe to find a cure before it's too late, and before they drive each other crazy.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.