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A solid enough send off for this 'Venom' trilogy. 'Venom: The Last Dance' is decently amusing and produces enough entertainment with its plot. I didn't personally find it overly funny, though the person a few seats across from me had an absolute blast - never a bad thing seeing people enjoy themselves! Tom Hardy remains the key element of these films, they would be far less enjoyable without his presence. There's a nice montage of sorts towards the end, it admittedly didn't 'hit' all that much for me but I imagine it's effective for proper fans of the series. Rhys Ifans and Chiwetel Ejiofor stick out most from the other characters.
The other two at the very least were enjoyable. This one, not so much. The villian is forced, the movie feels so chopped up, there's no threat because the creatures and Eddie both just heal each other. It had bad dialogue for some scenes, and a weird sub plot about shoes. Oh, and also, one of Eddie's flashbacks he wasn't even there for.
Perhaps this was just one sequel too many as the story here is really rather thin, but there's still enough chemistry between "Eddie" (Tom Hardy) and his eponymous symbion to raise a smile or two. This time it's not just the pursuing human population that's a problem for them, but there are creatures from the homeworld of "Venom" homing in on their unique "codex" so that they can help free their leader from incarceration to wreak havoc on the universe. Along the way, they encounter the hippie "Martin" (Rhys Ifans) and his family and cadge a lift in their VW camper-van whilst offering a fairly tuneless rendition of some David Bowie. It all builds up to a fairly predictable denouement with humanity facing some tough choices, the seemingly indestructible aliens on the verge of success and our intrepid partnership having to consider the ultimate sacrifice. Yep, we've seen it all before and though the visual effects are pretty impressive, that's not really enough to sustain it as it rather procedurally rolls along. There is occasionally some wit in the script and Hardy looks like he's having fun, but Chiwetel Ejiofor is largely under-used and it relies far too heavily on repetitive combat scenes to really make it stand out amidst the surfeit of 2024 comic-book derivatives. It's all watchable enough, but it's not a patch on the first one from 2018.
Venom: The Last Dance expands on the chaotic relationship between Eddie Brock and his symbiote Venom with more depth, tension, and humor, while also introducing a menacing new adversary in the form of the Xenophages. But yet, this cartonish way ended while making its last dance, really it was kind of last DANCE even writer pen director direction couldn't go with it and make its end like Bollywood was pretty mid honestly ____ we didn’t see venom much for a movie that ends a highly loved trilogy. also I didn’t see the “MAIN BIG BAD GUY of DARKNESS ANNIHILATION EVERYTHING” do anything. THAT GUY and CODEX concept couldn't go through to see but no MORE BLACK symbiote...
I like all the Venom movies. The humour works. Fun to watch Hardy play a puppet. Would have been a 10 without that blast door thing. Still a blast. No deductions for runtime.
I'm typically not a fan of the Marvel universe films. I find them over stated, not especially intelligent and oftentimes, quite repetitive. "Venom" is the rare exception to this rule. For starters there's Tom Hardy, who is, by any measure, an excellent actor. Secondly, there's the interplay between Hardy and Venom which can be genuinely funny. This latest and possibly last film in the series, "Venom: The Last Dance", is, I believe, the weakest in the line up. Unlike its predecessors, it feels a little bit rushed and somehow, anti climatic. That said, it still has its moments of engaging humour and not half decent action. In summary, its a shame to see "Venom" shelved (if in fact that's the case) as its one of the better Marvel universe franchises, with great chemistry between Hardy and his other worldly alter ego, Venom. Worth a look if you enjoyed the other films.
Okay, here’s the deal with _Venom: The Last Dance_. It’s like ordering your favorite burger and realizing halfway through they forgot the sauce. Tom Hardy? Still killing it as Eddie and Venom—his back-and-forth with himself is weirdly entertaining and even a little emotional. There are some genuinely fun and heartfelt moments that remind you why this duo worked in the first place. But man, the rest? A hot mess. The plot is all over the map, the new characters are forgettable, and the villain? Weak sauce. It feels like the filmmakers just kind of shrugged and said, “Eh, good enough.” Sure, there are flashes of that buddy-comedy charm, but not enough to save the movie from feeling like it’s limping to the finish line. If this is the final Venom movie (and I hope it is), I’m not gonna cry about it. It’s a mixed bag—fun in bits, but overall, it’s like Venom himself: a bit too sloppy to fully love.
World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.
Test pilot Hal Jordan finds himself recruited as the newest member of the intergalactic police force, The Green Lantern Corps.
After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin in the dolls. When he finds out that his friend has betrayed him, Cho must prepare for the greatest battle he has ever been involved in.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.
The world is shocked by the appearance of three talking chimpanzees, who arrived mysteriously in a spacecraft. Intrigued by their intelligence, humans use them for research - until the apes attempt to escape.
Newly-paroled former US Army ranger Cameron Poe is headed back to his wife, but must fly home aboard a prison transport flight dubbed "Jailbird" taking the “worst of the worst” prisoners, a group described as “pure predators”, to a new super-prison. Poe faces impossible odds when the transport plane is skyjacked mid-flight by the most vicious criminals in the country led by the mastermind — genius serial killer Cyrus "The Virus" Grissom, and backed by black militant Diamond Dog and psychopath Billy Bedlam.
Scientist Bruce Banner scours the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with a new, deadly foe.
After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
An FBI informant has kept his new identity secret for 15 years. Now an old flame has recognised him, and the bad guys are back for revenge.
Rick and Evelyn O’Connell, along with their 8-year-old son Alex, discover the key to the legendary Scorpion King’s might: the fabled Bracelet of Anubis. Unfortunately, a newly resurrected Imhotep has designs on the bracelet as well, and isn’t above kidnapping its new bearer, Alex, to gain control of Anubis’s otherworldly army.