Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
The Rev 2023 - Movies (Nov 30th)
Malum 2023 - Movies (Nov 30th)
Home Kills 2023 - Movies (Nov 30th)
Deck the Walls 2024 - Movies (Nov 30th)
A 90s Christmas 2024 - Movies (Nov 30th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Secret Lives of Orangutans 2024 - Movies (Nov 29th)
Christmas Wreaths and Ribbons 2024 - Movies (Nov 29th)
Defoe 2024 - Movies (Nov 29th)
Porch Pirates 2024 - Movies (Nov 29th)
Landman - (Dec 1st)
Earth Abides - (Dec 1st)
Made In Mumbles - (Dec 1st)
Im a Celebrity... Unpacked - (Dec 1st)
Michael McIntyres The Wheel - (Dec 1st)
Match of the Day - (Nov 30th)
Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
A Bite to Eat with Alice - (Nov 30th)
Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
WWE NXT- Level Up - (Nov 30th)
The Late Late Show - (Nov 30th)
Motorway- Hell On The Highway - (Nov 30th)
A History Of Royal Scandals - (Nov 30th)
Football Focus - (Nov 30th)
Saturday Kitchen Live - (Nov 30th)
Gutfeld - (Nov 30th)
Hannity - (Nov 30th)
"Sophia" (Magalie Lépine Blondeau) is contentedly married to "Xavier" (Francis-William Rhéaume) - though they sleep in separate rooms, and is quite nervous about meeting the renovator of their newly acquired waterside chalet. Those nerves seem wholly justified when her arrival introduces her to the lively "Sylvain" (Pierre-Yves Cardinal) who tells her that the place is in riddled with carpenter beetles and is in need of tons of expensive modernisation! She's understandably upset and her tears have quite an effect on the man. Soon they are having a beer and, well you can guess the rest... It isn't just an one night stand, though - they can't stop thinking about each other and this doesn't bode well for her marriage. Their friendship, though loving, now throws up some difficulties. She's from a wealthy family and he's a man who works with his hands. Her family - especially her rather obnoxious brother "Olivier" (Guillaume Laurin) rather look down on the man but his mother "Guylaine" (Linda Sorgini) who has a penchant for rather ropey vin rosé and his family do take to her more readily. Can the two manage to make their own affections prevail against an accumulating series of challenges? There's an engaging chemistry between the two as we see their romance build, falter, thrive - is it real love or just an infatuation with both seeking that which they can never have? I'll be honest, the ending rather crept up on me - it wasn't what I wanted and certainly not what I expected, but it's effective nonetheless as auteur Monia Chokri throws down a bit of a gauntlet to impulse, lust and both a psychological and visceral sense of longing. Do we seek love, and would we know it if we found it or does it seek us so it can plays games with us? The story can seem a little contrived at times and it does play to stereotype now and again too, but it's still quite an impassioned watch with two solid efforts at the helm.
A mother attempts to reconnect with her jihadist son when he is allowed to await his trial at home with her.
Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.
A road movie that follows a solitary man as he sets of on a journey to the south of Brazil. The strange characters and absurd situations he encounters along the way present an extraordinary portrait of human relations.
Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.
It's winter in a suburb. A housewife is brutally raped. A young woman becomes a victim of attempted rape. The Police tighten noose on Anders, a young road worker who was seen on the site in both cases. The two women think they recognize him in the lineup, and police investigators use all their strength to solve the case. Anders is a common and simple individual. He could be any youth. The meeting with the ongoing investigation and the solid judiciary, forces him out of a seemingly monotonous, habitual life and forces him to react and think.
'OG' is a film about a legendary, Brazilian born, NYC skateboarder, Harry Jumonji. In the course of telling his story, through his triumphs and travails, Jumonji emerges in this portrait as an adolescent innocent, much like skateboarding itself. He is irrepressible, manically energetic and ultimately, pure. He has a transcendent presence, well beyond charm or charisma, of such unalloyed joy that nothing he does is unforgiveable. This is fortunate because, as a drug addict, unsurprisingly, he lies, cheats and steals. Harry is rendered as the poet, the sprite, the artist and the street saint he is.
The loss of youth, social and professional activity intensifies the sense of loneliness, the obsessions and the "dead end" in the life of an elderly couple.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.