Il muto di Gallura

Franco Columbo stars as Interpol operative Franco Armando - code name Beretta - who's forced out of retirement to avenge the cold-blooded murder of a cop. The killer's trail leads to Franco's hometown on the beautiful island of Sardinia, where drugs are turning the peaceful village into a hell hole. The sinister druglord has a sadistic welcome for Franco: the kidnapping of his best friend's beautiful daughter.

The true story of the life of Gavino Ledda, the son of a Sardinian shepherd, and how he managed to escape his harsh, almost barbaric existence by slowly educating himself, despite violent opposition from his brutal father.

Alice and Niklas are a young couple who's biggest wish is to have a child of their own. After several failed attempts they decide to go on a holiday in Sardinia to clear their minds. There they meet a family from Austria that seems to have everything they ever wished for. But appearances can be deceiving...

Based on the story of real life Sardinian bandit Graziano Mesina.

Soaked to the skin, Costantino sinks into the haystack like old timber left on the shore by a stormy sea. Torrential rain has just put out the fire that in a single night ravaged Assandira, a farmstay deep in the woods of Sardinia. But the rain hasn't quenched the pain, the endless remorse for the son lost to the flames, the son he was unable to save. The first to arrive are the carabinieri and the young investigating magistrate: Costantino tries to tell them what happened the previous night, to explain how it all began.

Special Forces Captain Aldo Paccione must pull together his former world team Delta Force and go deep within the mines of Sardinia when it is discovered that a vengeful band of mercenaries are developing deadly biochemical weapons.

This film is dedicated to Maria Lai, an artist born in 1919 in Ulassai, Sardinia. Surrounded and inspired by the ogliastra countryside, the cyclopic guardian of plots and landslides, Maria Lai uses inert materials like stone, concrete, asphalt, metal and wood to work old and new legends into librettos of individual works, installations and interventions, thus becoming part of the landscape that calls to her. In making this film the authors have confided in the artist’s role as a spokeperson, and it is as if one is listening to the voice of a wild olive tree - both millenary and contemporary - a voice that knows what to say (and can say whatever it wants) from beyond the boundaries of reality, history, nature and art. As that tree, the artist - confident of her roots - with a sound sense of rhythm and scansion, multiplies big and small stories, just as she did with the bread and fish in Santa Barbara di Ulassai along the way to the country church.

Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.