A Program for Vietnam Veterans...and Everyone Else Who Should Care

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

Pilots, bombardiers, and navigators tell their own story of the air war over North Vietnam through on-the-spot interviews filmed between actual combat missions. Tension-packed pilot briefings, ground preparations of B-52 bombers and F-105 fighters, and exciting take-off and landing scenes highlight the action sequences of this film.

Jack Kelley volunteered for Vietnam. As an army captain, he routinely led his company of 140 men on patrols in the jungles near Biên Hòa. Ill-conceived orders came down from higher command: On June 29, 1966, Capt. Kelley was to spread his platoons 1,000 meters apart in order to cover more area while looking for Vietcong forces. During the patrol, the 3rd platoon stumbled upon an embedded Vietcong main force battalion. Outnumbered by nearly 10 to 1, the platoon was blindsided by a fierce attack. The triple-canopy jungle was dense and the terrain muddy, making rescue all but impossible. The film is a journey to understand what the filmmaker's father and seven survivors went through in 1966, and what they continue to go through today. Some volunteered for the army as teenagers. Others were drafted. Some went back to Vietnam years later with the hope of finding closure and peace.

During the chaotic final weeks of the Vietnam War, the North Vietnamese Army closes in on Saigon as the panicked South Vietnamese people desperately attempt to escape. On the ground, American soldiers and diplomats confront a moral quandary: whether to obey White House orders to evacuate only U.S. citizens.

Is American foreign policy dominated by the idea of military supremacy? Has the military become too important in American life? Jarecki's shrewd and intelligent polemic would seem to give an affirmative answer to each of these questions.

A film about one of the most iconic images of the 20th century, the moment when the radical spirit of the 1960s upstaged the greatest sporting event in the world. Two men made a courageous gesture that reverberated around the world, and changed their lives forever. This film is about Tommie Smith and John Carlos' protest at the 1968 Olympics.

The Vietnam War during the JFK years and beyond. Made in 1972 in the filmmaker's apartment, without documentary footage of the war, metaphors are created through the animation of images and objects, and through guerrilla skits. By rejecting the authority of traditional documentary footage, the anarchist spirit of individual responsibility is established. This is history from one person's point of view, rather than a definitive proclamation.

Portrait of the spokesman of the student movement and extra-parliamentary opposition Rudi Dutschke, who died on December 24, 1979 from the late effects of an assassination attempt. The film is not limited to the mere biography of the extra-parliamentary politician, but also depicts the political environment as well as the late effects of the student movement. In retrospect, it condenses into a picture of a highly politicized society that had not yet begun its retreat into the private sphere.

A US Air Force produced film that follows a group of F-105 pilots as they pass their hundredth mission during the Vietnam War.

How does a nation slip into war? Dateline-Saigon profiles the controversial reporting of five Pulitzer Prize-winning journalists -The New York Times' David Halberstam, the Associated Press' Malcolm Browne, Peter Arnett, and legendary photojournalist Horst Faas, and UPI's Neil Sheehan - during the early years of the Vietnam War as President John F. Kennedy is secretly committing US troops to what is initially dismissed by some as 'a nice little war in a land of tigers and elephants.' 'When the government is telling the truth, reporters become a relatively unimportant conduit to what is happening,' Halberstam tells us. 'But when the government doesn't tell the truth, begins to twist the truth, hide the truth, then the journalist becomes involuntarily infinitely more important.'

On call 24/7 for the past six years, three senior citizens have made history by greeting nearly one million U.S. troops at a tiny airport in Maine. Filled with unexpected turns, their uplifting and emotional journey demonstrates the meaning of community at a time when America needs it most.