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Joseph Cotton is "David", a wealthy engineer travelling post war Italy when he encounters concert pianist "Manina" (Joan Fontaine). They have some time to kill before their flight back to the US, so go exploring and manage to miss their plane. Serendipity takes a hand - the plane crashes - affording them the perfect opportunity to play dead and allow their burgeoning romance to develop... All seems to be going to plan until his wife "Catherine" (Jessica Tandy) and young son "David Jr." (Robert Arthur) decide to visit Italy and call upon her friend "Maria" (Françoise Rosay) and... Fontaine is good in this film, she always had an understated class that this role suits well. She has a chemistry with Cotton - never the most natural of actors in a romantic setting - and with some lovely Capri scenery (perhaps monochrome photography doesn't quite do justice to the "Blue Grotto") this makes for quite an engaging drama with a fine score from Victor Young and a charming refrain of Kurt Weill's "September Song" to add a maturity to this, admittedly rather thoughtless and selfish, love story.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
Johannes, a doctor of physics, travels with his doctoral supervisor to a scientific congress in the Alps. A series of mysterious incidents occur on site. He meets Karin, a mysterious jazz pianist who seems to know more about him than she can know. Suddenly, mysterious deaths begin to pile up and Johannes tries to uncover the secret under the mountain.
The Popes are a family who haven't been able to use their real identity for years. In the late sixties, the parents set a weapons lab afire in an effort to hinder the government's Vietnam war campaign. Ever since then, the Popes have been on the run with the authorities never far behind. Their survival is threatened when their eldest son falls in love with a girl, and announces his wish to live his life on his own terms.
When Lucy Honeychurch and chaperon Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting the Emersons could change Lucy's life forever but, once back in England, how will her experiences in Tuscany affect her marriage plans?
After a fateful encounter in the summer of 1966, the lives of two brothers from a middle-class Roman family take different directions, intersecting with some of the most significant events of postwar Italian history in the following decades.
A pianist takes his ailing wife out of a London hospital at the same time that another female patient there has suffered a miscarriage. Afterwards, the second woman feels empty and withdrawn, and, thinking that getting her away from London will help, her husband takes her to live at a country estate, which turns out to be the former residence of the pianist who left after his wife died. The woman begins to get visions of the wife and her final days; is she becoming possessed by the dead wife of the pianist?
An affair between a pianist and a teacher begins to disintegrate when girls from her school turn up missing.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The Pianist must face an ultimatum: he has three days to learn the song of the spinning top or his soul will be claimed by a demonic spirit.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
Pianist David Helfgott, driven by his father and teachers, has a breakdown. Years later he returns to the piano, to popular if not critical acclaim.
