மாமன்னன்

Biscut is a powerful film on the state of politics in Uttar Pradesh and offers a gritty and hard-hitting take on the treatment of the backward classes and their never-ending exploitation in the caste-dominated political landscape of Uttar Pradesh.

A fictionalized account of the lives of 1980s Tamil Nadu political icons M. G. Ramachandran and M. Karunanidhi, continuing the tryst between Tamil cinema and Dravidian politics.

Upcoming Political Crime Comedy Drama Directed by Dada fame Ganesh K Babu. Starring Jayam Ravi, Daudee S Jiwal, Shakthi Vasudevan, KS Ravikumar & Nassar.

Ramnarayan Tiwari, a Brahmin (uppermost caste as per the caste system in India) is a peon in a government undertaking, where recently, a Dalit (lower caste), has risen to become a big officer. Tiwari burns with resentment towards this officer’s hierarchical superiority because he considers himself superior as per the religiously ingrained caste system. Tiwari is also frustrated as his promotion has been overdue for years. The officer’s bathroom’s drain has choked. Tiwari tries to look for the official sweeper, also a lower caste man. This role-reversal story is about how Tiwari’s need for promotion, and his caste prejudice towards the officer, counterbalance each other to solve the problem of the choked drain.

"Buraku" or "Buraku-min" are the terms used for ethnic Japanese people who are believed to descend from the pre-Meiji castes. Today, neither "Buraku" nor "Burakumin" exist anymore in terms of laws and social systems. However, many Japanese people still have a deep-rooted sense of discrimination towards people who descend from those families. Why does something that should not exist continue to exist? How did this discrimination begin in the first place? This film takes a variety of approaches to unravel the history of accumulated discrimination and its intricately intertwined context, from its origins and evolution, vividly depicting the structure of discrimination that often remains hidden from the public eye.

Young-Jae (Ryu Soo-Young) was involved in a car accident two years ago. He lost his memory from the accident. Now, Young-Hae runs a used bookstore and appears like an ordinary guy, but he has a certificate for passing the bar exam in his desk. While Young-Jae was in the hospital nobody visited him and he didn't have any numbers saved in his cellphone. He has been totally isolated. One day, a parcel is delivered to Young-Jae. In the parcel, there is Young-Jae's old wallet containing a photo of a smiling woman. The parcel does not have a sender listed. Soo-A (Nam Bo-Ra) is an 18-year-old who acts likes she knows everything. She expresses to Young-Jae that she likes him. With Soo-A's help, Young-Jae tries to find the woman in the picture.

A seemingly innocent voicemail message left on a man’s answer machine by his ex, soon turns on its head when we learn of his dark past in their relationship. We quickly learn that our protagonist may not be as innocent as he seems, through the heart-wrenching monologue delivered to him via the tiny machine in his home.

An aging hairdresser escapes his nursing home to embark on an odyssey across his small town to style a dead woman's hair for her funeral, rediscovering his sparkle along the way.

A former yakuza returns to gangster life after an old enemy threatens his son.