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To say Dutch audiences in the 30s loved **_De Kribbebijter_** would be an understatement: the movie stayed in theaters from july 1935 to december 1942, packing full houses until the very end of its run. International critics seemed not to understand what exactly made this Dutch comedy so special, but when one takes a closer look at the cinematic climate in the Netherlands in those days, they will find that the Kribbebijter-madness made perfect sense. In the mid-thirties, the most popular movie genre in the Netherlands was that of the so-called _'Jordaan-film'_; jolly musicals with a simple, predictable plot and catchy songs, always set in the Amsterdam 'Jordaan' area and often starring Dutch variety icons like Louis Davids, Fien de la Mar and Sylvain Poons. But even though films like _De Jantjes_, _Bleeke Bet_ and _Het Leven is Niet Zoo Kwaad_ were enjoyable and full of talented performers, the Jordaan-films were also very much seen as a crowd-pleasing, often clumsily made cinematic equivalent of junkfood. Hollywood movies on the other hand were often too melodramatic and self-important to please the phlegmatic Dutch (_Doe maar gewoon, dan doe je al gek genoeg..._). By 1935, Jordaan-film-fatigue was setting in — the last true Jordaan film, _Oranje Hein_, would be released in 1936 — and Dutch audiences were longing for something closer to the coherent plot structures of Hollywood, but with that unmistakably Dutch combination of abstemious downplaying and theatrical folly. What they got was **_De Kribbebijter_**. Needless to say, they were pleased. While retaining the romantic entanglements of the Jordaan-films, the storyline of De Kribbebijter has an un-Dutch sense of coherence; it does not derive its jolly fun from intermezzo's or random jokes, but rather from cleverly written setpieces and inspired comedic performances by theatre powerhouses Cor Ruys, Louis de Bree and Louis Borel especially. The acting is — apart from an astoundingly hammy Mary Dresselhuys — not as wacky as the Jordaan-films, and not nearly as melodramatic and overly sentimental as most 30s Hollywood productions. Visually and technically the directing is so-so, but unlike most Dutch movies at the time, the camera was dynamic enough not to make it feel like filmed theatre. In short: **_De Kribbebijter_** is a unique picture; unique in being very Dutch in its approach, but also very non-Dutch in its execution. It's a movie I enjoyed immensely, and I hope a subtitled version will be released soon so foreign cinephiles can enjoy it as well!
An economist Basque (Gorka Ochoa) based in Barcelona becomes embroiled in a difficult emotional dilemma between his girlfriend (Bárbara Goenaga), who is pregnant, and a childhood friend (Sara Cozar), heart condition, which is declared by compassion convinced that he would die. The problem arises when the patient makes a miraculous recovery and he is forced to pretend he loves her.
An offbeat dark comedy that follows the life of the reclusive, karaoke loving and heartbroken Ben. But when he receives an unsolicited package from a mysterious delivery man, his stale dreary life is turned upside down, taking him on a wild ride that brings a new love into his life.
On the day they move apartments, a couple struggles to get everything in order before the landlord arrives for a final inspection.
Lizzie only request of her "Male of Honor" Marshall is that he doesn't bring his hated ex Marie to her destination wedding. But lovesick Marshall brings her as his plus one, and Marie does everything in her power to wreck Lizzie's big day.
Noted is a short film produced by 4 students at Freed Hardeman University. A young radio show host who believes he will never find love finds a note instead and gets stuck in a time loop,he has to figure out who left The note to end the loop and find his dream girl.
When unlucky-in-love jewelry designer Trish accidentally sends a set of Christmas wedding bands off with the wrong person, she and charming best man Booker must work together to track them down and get them to the wedding on Christmas Eve – in the process learning that you can’t wait for love to find you, you have to go out and find it.
High-powered CEO meets high-rise window-washer for an erotic rendezvous on opposite sides of her skyscraper window.
Vinny, a millennial from London, joins a dating app for the first time while living in lockdown during the coronavirus pandemic. With five potential female matches, Vinny must pluck up courage to video date with wildly different personalities, starring Mandip Gill and Georgia Hirst. The viewer’s choices will define Vinny’s interactions with each date and their interest in seeing him again. Amidst a branching, multi-directional chain of conversation topics and deep-dive questions, Vinny is faced with digital game dates, awkward scenarios and unexpected truths. Five Dates is an exploration of the unpredictable modern dating experience, which follows an average single man as he navigates the world of digital dating. Through his journey, the decisions the viewer makes for him will challenge their own conceptions of attraction and compatibility.
Trans couple Abby and Aidan are moving into their first apartment. They both struggle with dysphoria in different ways and jokingly wish they could swap bodies to make things easier. When this wish is realized through supernatural intervention, they are given the option to decide whether they'd like to stay swapped, or return to their original bodies.
A former party girl longs for love in the boredom of the zombie apocalypse, but will risk her safety and the safety of her best friend.
Lai-ying (Cheng Bik-ying) is a wealthy socialite who travels globally. Tired of her lifestyle, she sends her secretary Kiu (Tam Lan-hing) to stand in for her in a social function in Hong Kong. Local rich playboy Chung (Sun Ma Si-tsang) is forced by his father (Lee Hoi-chuen) to court the fake Lai-ying in order to save the family from financial distress. But Chung is in love with the real Lai-ying, who pretends to be a poor girl from a working class background. Naturally, the father is unhappy about this mismatch. Typically cast for feisty roles, Tam Lan-hing here plays a marriage-hungry woman, eager to be seduced who knows flirtatiousness can be so hilarious!