Trzy kroki po ziemi

Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".

There is a performance team preparing for an outdoor yard play in Jeonju. Director Young-ro, supporting director Se-young. Actor Man-sik and his wife Hye-young. And Joo-young, the youngest member of the performance team. And Minwoo, who plays busking music. The warm, heart-wrenching stories of the three couples are depicted in omnibus format.

Every episode has one dialogue with two characters in one place. The six dialogues are for beginners who should still learn from the realities of how we rule out people around us not only reasonably but smoothly.

Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.

On a day in April 1996, four stories play out in the confines of a flat in the heart of Oslo.

In this Korean omnibus film, three stories and relationships between the North and South are explored - stories about a hopeless romance, an unknown future and an expected and coincidental comfort.

Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

A collective cinematic project to promote tolerance and the value of diversity.

A four-part film done in the unique style of each director, Matusbayashi Urara gives a portrayal of a struggling actress named Machiko who lives in Kamata. Machiko is the central axis of the movie as the film comically depicts what it means to be a "woman" and an "actress" in society through showing the patterns of life as conducted by her and the people that surround her.

A seven-part anthology film that probes the theme of childhood from various angles. Each part is directed by a different person, with techniques ranging from watercolor to cut-out.