Heart and Soul

Sally Carter Rand, married to an elderly senator, is accused of espionage, but she is able to clear herself by proving that her mysterious knitting is actually a baby sweater.

Sylvia Hamilton rehabilitates an alcoholic attorney and marries him. When World War I breaks out, she is persuaded to help the German cause and later commits suicide rather than compromise her husbands career.

Albert Whalen, a hotel elevator operator, together with one of the pretty chambermaids, Annie Jackson, on the hotel staff are accused of breaking and entering a suite belonging to one of the guests, Mr. Cleaver. They are caught in the suite, but unexpected circumstances caused them to be there. Their explanations are not believed. A lost film.

Upon hearing about a woman dubbed The Huntress because of her wild attention craving ways, Fleming Harcourt decides he can domesticate her and they marry. He takes her to settle down in a mining town, however she soon becomes bored and returns to the city and her lavish parties with plenty of adoring male admirers. Fleming decides to make her jealous by flirting with other women. When the Huntress hears the rumors of his affairs, she soon realizes her one true love is Fleming, and they are happily reunited.

Love Never Dies was set in France, and convincingly so (which was not often the case in American-made films of this period). It is established in the first reel that hero Felix and heroine Cecile have been sweethearts since childhood. Later on, Fate forces Felix and Cecile to separate, but viewers could take heart in the positive sentiments expressed by the film's title.

In the mountains and hills of Kentucky, a feud has raged for many years between the McTriggers and the Sampsons. In vain did the authorities intervene, threaten arrests and endeavor to patch up the mimic war; all these efforts were of no avail.

In a banana republic, way south of the Texas border, a dumb-Dora American girl, Norma (Olive Borden), lets her ruby-red lips promise more than she is willing to deliver, and she finds herself a prisoner in a notorious dance-hall/brothel. But her American aviator boyfriend, Barry Blake (John Boles), is flying to her rescue. He does just that but, alas, they are quickly captured by a gang of outlaws. Possibly the many expensive pieces of jewelry she has gathered from the many male friends she has made along the way, including El Presidente, captured the outlaws' attention.

Daisy Smith (Marceline Day), a floater and non-desirable citizen in most societies, seeks refuge on a tropical island in the South Seas. She meets Jim Curtis (Don Alvarado), another society-outcast and a piece of human driftwood, and a romance takes place that regenerates both and they sail back to the United States determined to start life anew.

An officer in the British Guards takes to drink when a friend and fellow officer convinces the woman they both love that he has another woman.

Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.