The Return 2024 - Movies (Jan 18th)
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The Return 2024 - ()
The Magicians Raincoat 2024 - ()
Vindication Swim 2024 - ()
Sebastian 2024 - ()
Hounds of War 2024 - ()
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
The Bad Shepherd 2024 - ()
The Bouncer 2024 - ()
Tuesdays Trash 2024 - ()
Boonie Bears Time Twist 2024 - ()
Love Courage and the Battle of Bushy Run 2024 - ()
Emmas Big Adventure 2024 - ()
Balloonerism 2025 - ()
The Girl Who Cried Her Eyes Out 2024 - ()
Clear Cut 2024 - ()
You Gotta Believe 2024 - ()
Wolf Man 2025 - ()
My Divorce Party 2024 - ()
Back in Action 2025 - ()
Intimacy can be a beautiful thing. However, it can also become something messy, hurtful and emotionally devastating when tainted by self-serving agendas, irresponsible intentions, or reckless, short-sighted experimentation, influences that can purposely or unwittingly end up wreaking widespread havoc. Such is the case in writer-director Ira Sachs’s new domestic drama about a flamboyant, free-spirited gay male filmmaker, Tomas (Franz Rogowski), who impulsively jumps into an impromptu fling with a woman, Agathe (Adèle Exarchopoulos), a relationship that leaves his longtime husband, Martin (Ben Whishaw), unsure of what the couple’s future might hold. As time passes, circumstances grow increasingly complicated as each member of this unlikely trio tries to sort out what lies ahead, particularly with the emergence of Tomas’s ever-growing thoughtless capriciousness. Some viewers may look upon the story’s shockingly reprehensible developments as improbable and appalling, but, sadly, as anyone who has ever watched tabloid TV can probably attest, the events depicted here might not appear as far-fetched as one might think. In that respect, this offering presents a bold, courageous, honest look at what can go awry in situations like this, an account loaded with incensed outrage, unbridled ire, biting humor and more than a little cynicism. It’s a narrative that some audience members may find offensive, even deplorable, but, like a horrific car accident, it’s also something that many viewers might find difficult to look away from, thanks in large part to the wholly convincing performances of the three protagonists. Sensitive viewers should be aware that the film includes a fair amount of explicit and provocative sexual content, so those easily offended by such material may not want to put this one on their watch lists. However, for those who appreciate domestic dramas that hold nothing back and that aren’t afraid to get down and dirty in their portrayals of what can happen, this release is about as good as any out there. Just be prepared to be left with your jaw agape – and your head spinning.
"Tomas" (Franz Rogowski) and husband "Martin" (Ben Whishaw) find their marriage severley tested when the former man starts to fall for "Agathe" (Adèle Exarchopoulos) and that passion drives "Martin" into the arms of "Amad" (Erwan Kepoa Falé). What now ensues is, frankly, a rather dull introspective of characters that didn't really leap off the screen at me. Rogowski can be a charismatic actor, but here he offers us a rather unremarkable characterisation of a horny man who wants to have his cake and eat it. Whishaw is, routinely these days on screen, just a bit weedy and presents another weakly constructed individual who seems content not to fight for the man he's supposed to love. It's all just rolls along without really catching fire, it's over-scripted and though it may well have a visual authenticity to it, it's all just a bit so what? The production and pacing all contribute to the general ennui of the whole thing and to be honest, I was just a bit disappointed with this rather lacklustre enterprise. I saw it at the cinema this week, but I suspect even the most ardent fans of these three can wait for a television screening.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
Iron and Silk is a 1990 movie based on the eponymous book by American writer Mark Salzman. It details his journey to China after college to study Chinese wu shu, better known in the west as kung fu, and to teach English. Though not trained as an actor, Salzman starred as himself, as did Pan Qingfu, who claimed no one else could portray him on film. Salzman's experiences occurred in Changsha, Hunan, though the film was shot in Hangzhou, Zhejiang. (Wikipedia)
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
For a con-artist couple, a premeditated jewelry heist at a posh resort yields unexpected payoffs when they arrive in the middle of a swingers' convention. Charming, sexy and no strangers to the art of seduction, China and Michael are amateurs when it comes to the "lifestyle" but eagerly throw themselves into their education - with sizzling results. But recreational romance becomes a bitter pill for the grifters when their jaded hearts get in the way of what could be their most lucrative swindle yet. They may be experts at the art of flimflam, but they still have a lot to learn about love.
22-year-old Colby is rebelling against feeling stifled by everybody because she's pregnant, but an encounter with a young man at a diner allows her momentary reprieve to be herself.
1941 and the war culminates. The wife of a lieutenant and a sergeant fall madly in love. Times and circumstances -military service, marriage, friendship between the two men- forbid this love, but do not negate it. When the lieutenant is injured and taken to hospital, the two lovers, against all odds, dare the only possible way out: he defects, she leaves her husband, and they begin a journey without return towards the border.
Conservative middle-aged fisherman Singaram cares for his orphaned niece and nephew who he loves deeply. As Singaram works hard to provide for his family, he also tries to arrange a groom for his niece. But she rejects the many suitors he brings, and he soon learns that his niece is in love with her fellow female teacher. Ostracized by his community, Singaram tries to come to terms with his niece being a lesbian and through the process he learns to empathize with the plight of the village barber Alankaram, who is transgender.
Sara runs for an eco the same day she notices something different on her left breast. Timing and readiness might save her life besides a happy event that comes as a blessing in her life between good friday and easter day, will she be able to win the battle against this silent killer?
Lukas is Sugar, Clemens is Orange. Together, they are two ten-year-old boys who are inseparable. More than just playmates, they share a unique bond which seems predestined to last a lifetime. Until, that is, powerful emotions come to the fore and a misunderstanding leads to a rift which tears both them and their world apart. Twenty years later, Lukas is still terrified of being abandoned. He survives by forming loose relationships which don't threaten him. Then one day he meets Lena who turns his feelings upside down and awakens his inner child, the one still searching for unconditional friendship. While there is never a guarantee of security, there is a bond of trust, and through Lena, Lukas again makes contact with Clemens. After years of silence, they are finally able to exorcise their ghosts in an explosion of emotion.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it's pushed aside when their mother suffering from dementia loses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.