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Are we prepared for dealing with the prospect that humanity is not the end of evolution? Technocalyps is an intriguing three-part documentary on the notion of transhumanism by Belgian visual artist and filmmaker Frank Theys. The latest findings in genetics, robotics, artificial intelligence, bionics and nanotechnology appear in the media every day, but with no analysis of their common aim: that of exceeding human limitations. The director conducts his enquiry into the scientific, ethical and metaphysical dimensions of technological development.
The cutting edge group known as transhumanists see a beautiful future brought about by artificial intelligence, life extension, and cybernetics. What one must realize before getting carried away with such utopian dreams is that transhumanism was born out of the elitist pseudo-science eugenics. This documentary provides vital information on the history of eugenics and its new cutting edge transformation.
As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.
Director Dominique Leclerc spent years depending on medical devices for her survival. Then, looking for alternative solutions, she entered the world of emerging technologies. Posthumans follows her as she meets with cyborgs, biohackers, and transhumanists who are trying to use these technologies to outsmart illness, aging—and even death. The documentary looks at pressing ethical and political questions that are sure to impact the future of our species.
INHUMAN: THE NEXT AND FINAL PHASE OF MAN IS HERE is not fiction or a mockudrama. but a new investigative documentary from the internationally acclaimed team at Defender Films and Raiders News Productions. Inhuman travels the globe to unveil for the first time how breakthrough advances in science, technology, and philosophy—including cybernetics, bioengineering, nanotechnology, machine intelligence, and synthetic biology—are poised to create mind-boggling game-changes to everything we have known until now about Homo sapiens.
Winner of the BREAKOUT AWARD at the 2019 Raw Science Film Festival, Immortality or Bust follows Zoltan Istvan's Transhumanist Party presidential campaign to its final, and revealing conclusion.
A transhumanist romance in the near future. A young boy of modest origins, Marcus, an H- , falls madly in love with an H+.
In the future, one can achieve immortality by obtaining a mechanized body. Orphaned, young Tetsuro hitches a ride on the space train Galaxy Express 999 in the hope of obtaining a cyborg body to avenge his mother's death. Along the way, he meets Maetel, who is the spitting image of his dead mother.
In the future, Earth is overcrowded and the population relies on distant bases to be fed. In the Saturn 3 station, Major Adam and the scientist Alex, who is also his lover and has never been on Earth, have been researching hydroponics for three years in the base alone with their dog Sally. Captain Benson arrives Saturn 3 with Hector, incapable to controlling his emotions he transfers his homicidal tendency and insanity to Hector. Now Major Adam and Alex are trapped in the station with a dangerous psychopath robot.
Minyoung is a shy high school girl suffering from depression and bulimia. She is mercilessly bullied by her classmates, especially the sadistic Taeyong and his posse. One day, she is rescued by a sympathetic classmate who introduces her to transhumanism, a process where electrical shocks to the brain cause a person to "wake up to reality" through electrical baptism. Now, fully empowered, she plans revenge for the boys that have brutally bullied her. But when Taeyong turns up murdered, Minyoung must travel back in time using the Tesla coil to reveal the killer... even if the killer might be herself.
Fragments of a collective post-human dream construct a world that straddles hyper-technological, ecological, and mythological dimensions.