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As actors, even playing fictionalized versions of themselves, the Foo Fighters are terrific musicians. Fans of the band needn't worry though; based on the evidence of Studio 666, the Foos won’t be quitting their day jobs any time soon. This movie appears to be shooting for the same cult classic status as Kiss Meets the Phantom of the Park, but I think it’s more likely to inspire suicide cults than anything else – I know I would gouge my eyes out and then bleed to death rather than watch it again. It’s a shame, because Studio 666 had the chance and the potential to be more This is Spinal Tap than Phantom of the Park. Spinal Tap is a comedy about a rock band on the road; Studio 666 could have given us the making-of-the-album version of the story – and, like the proverbial broken clock, it's spot-on a couple of times (the moment where Dave Grohl “finds” a new, previously unknown musical note which he calls “L sharp” is in a way reminiscent of Nigel Tufnel’s “D minor is really the saddest of all keys”), but these occasions are so few and far between as to make the experience even more frustrating. It is possible to make an intelligent, funny movie about the recording process; 2014’s Frank is a great example, especially because that film, as eclectic as it is, doesn’t feel the need to experiment beyond its area of expertise. Contrastingly, Studio 666 has a streak of cheesy horror running through it that is as out of place in a Foo Fighters movie as a song from Grohl’s heavy metal side project Probot would be in a Foo Fighters album. I mean, we like the Foos the same way we like Eminem – but then, we wouldn’t like Eminem as much if 8 Mile had been a supernatural slasher instead of a semi-autobiographical drama. I’m not saying, though, that Studio 666 should have been a drama, only that it would have behooved it, even as a comedy, to be more veridical. Grohl’s rockstar outbursts would be a lot funnier if they stemmed from his overzealous quest to make a perfect record, as opposed to his being possessed by an evil spirit or whatever; it’s almost as if he’s so afraid of damaging his good-guy image that he has to justify playing against it with a case of ‘the devil made me do it.’
Conducting clandestine experiments within the morgue at Miskatonic University, scientist Herbert West reveals to a fellow graduate student his groundbreaking work concerning the re-animation of fresh corpses.
"The Last Road to Hell" tells the story of three groups of criminals whose paths bring them together for a weekend they will never forget. Three kidnappers (Russ, Meiko and Kat) kidnap a woman (Patricia) and take her to a warehouse run by a demon conjuring low life (Bill). They are joined there by two young male torture fanatics (Bruce and Ray) and another group of kidnappers (Paul and company). When the two kidnapped females turn out to be more than they bargained for, all roads will lead to Hell.
A couple begins to experience terrifying supernatural occurrences involving a vintage doll shortly after their home is invaded by satanic cultists.
Immediately after their miscarriage, the US diplomat Robert Thorn adopts the newborn Damien without the knowledge of his wife. Yet what he doesn’t know is that their new son is the son of the devil.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
Year 2030 , A pre-apocalyptic world . Where a women tries to survive the chaos.
A teen faces a night of terror when three malevolent trick-or-treaters come knocking at her door.
Jake Kimble, the sole survivor of the Chicago massacre, is killed while in solitary confinement. His doctor begins investigating the claims he made about a long-haired woman in white, as a mysterious Japanese woman arrives at his old apartment building to help them get rid of the curse.
The low budget film starring the young Bruce Campbell that influenced the Evil Dead films.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
