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When a film feels it has to beat its message to death to get it across, it loses much of its effectiveness, and that’s very much the case with director Andy Vallentine’s debut narrative feature. The picture tells the story of an upscale Los Angeles gay male couple, Thomas (Nico Tortorella) and Oscar (Juan Pablo Di Pace), who become foster parents to a six-year-old boy (Matthew Jacob Ocampo) whose drug-addicted mother (Colleen Foy) is incarcerated. But, when mom is released from prison, she wins back custody of the child to raise as her own, a development that tears Thomas apart. His anguish is exacerbated by many of his LGBTQ friends becoming parents and Oscar’s lack of interest in fostering another youngster, causing a serious rift in their relationship. To its credit, the premise behind this comedy-drama is admittedly refreshing for a work of gay cinema, but its execution misses the mark due to its unoriginal, undercooked, redundant screenplay. For instance, some of the humor is decidedly catchy, but much of the basic dialogue sounds like it could have been pulled from episodes of Queer as Folk. And then there are the trite characters and scene settings, many of which resemble entries from the Big Book of Gay Stereotypes, a lazy approach to telling this picture’s story. What’s most tiresome, though, are Thomas’s endless laments about losing custody of his foster child and his indecisiveness about how to resolve his despair, script elements that become irritatingly circular and repetitive. Even the title is somewhat problematic in that it could easily be interpreted in several ways, several of which could be taken as misleading (which I’m certain is not what was intended). In short, despite this production’s attempts at doing something inventive and different, “The Mattachine Project” is nevertheless one of those projects that clearly should have gone through a few more rounds of revisions and rewrites before being committed to celluloid.
Two boys play poker on a dull afternoon. As one boy inadvertently touches and makes eye contact with the other, it sparks a beautiful, imaginative dance.
When Wyatt returns home for the holidays to try to convince his mom to sell their family ranch, an unexpected romance with handsome ranch hand Heath may throw off his plans.
Created by gay directors and actors, Boys On Film features numerous award-winning shorts that deal with all aspects of gay life. Volume 1: Hard Love contains nine complete films: Hong Khaou's "Summer" starring Peter Peralta and Jay Brown; Michael Simon's "Gay Zombie" starring Brad Bilanin, Ryan Carlberg, and Robin McDonald; Jason Bushman's "Serene Hunter" starring Eric Debets, Flannan Obé, and Jonathan Blanc; Timothy Smith's "Le Weekend" starring Omar and Fernando Peres; Jean Baptiste Erreca's "Cowboy Forever" featuring Govinda Machado de Figueiredo and Jones Carlos Fialho de Araújo; Damien Rea's "Scarred" starring Chris Anderson, David Durham, and Lara Cazalet; Tim Hunter's "Packed Lunch" featuring Kevyn Boemia, Chris Sayers, and Steven Quigg; John Winter's "Mirror Mirror" starring Roy Billing; and Maxwell Barber's "VGL-Hung!" starring Marcus Proctor, Jeff Chandler, and Ashley Ryder.
A North Korean general visits his talented daughter at a prestigious Swiss school to test her loyalty towards her motherland. An outstanding singer, with a promising future, she dreams of studying in America. But her dream will be at the cost of her father's life if she doesn't return.
A wealthy, Nigerian-American teenager is pulled over by police, shot to death, and immediately awakens, trapped in a terrifying time loop that forces him to confront difficult truths about his life and himself.
Nina and Madeleine have been sharing their lives and the landing between their two apartments for decades. After more than 20 years of loving in the shadows, Madeleine promises Nina she will tell her family the truth. It takes an unexpected event to show her the importance of living your truth.
Xiao Lin, who is in the stage of identity recognition, dares not face up to being gay under the pressure of his family. Under the influence of Ouyang Fugui who has come out, Xiao Lin began to accept his own ideas. However, after returning home, he saw that his family treated him with unlimited expectations of marriage, and Xiao Lin fell into the dilemma of self and family choices.
A father's takes his estranged son on a fishing trip as a way of bonding, but when the car breaks down he realises it's not the only thing that needs fixing.
When the time comes, Masayuki confronts oblivion with the help of a mysterious stranger. Aimlessly wandering the streets, drinking and gambling alone, Masayuki passes through each night without purpose. Until he meets a stranger, who will free him at last.
