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When a small geriatric hospital in Northern England is threatened with closure, the staff and patients rally together to try and save it. There might be a glimmer of hope with this task as the government consultant tasked with the final evaluation - "Colin" (Russell Tovey) has his estranged father " Joe" (David Bradley) in that self same facility. The place is run under the benignly imperious hand of "Sister Gilpin" (Jennifer Saunders) with Bally Gill's "Dr. Valentine" tending to their clinical needs. As you'd expect with Alan Bennett, this comes at you from the left of the political spectrum, and highlights what he sees as the short-termism of fiscally based decision making. To that end, Sir Richard Eyre has assembled a strong cast of formidable character actors to portray the patients. Most notable amongst them, for me, was Julia McKenzie and Bradley is also on great form as the curmudgeonly old gent coming to terms with his predicament and his successful, gay, son. There is plenty of dry humour, observational sarcasm to the fore and Saunders and Gill have quite a nice chemistry between them as they both strive to care for their elderly charges. I can't say that I loved the ending. It is thought provoking, but somehow seemed just a little over-dramatic and unnecessary. That said, though, the ensemble cast reminded me very much "Quartet" (2012) with strong leading characters and familiar faces at every turn helping to highlight the serious (and lighter) issues of the ageing process for both the older folks and for those charged with keeping them well. Not sure it really needs a cinema to enjoy, but it's still well worth ninety minutes.
A young man confesses his sexual past to an unseen phone sex operator. He reflects on his sexual identity as we follow him on a solitary excursion to a beach.
A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.
15-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.
Two high school boys from different social worlds experience romantic feelings for each other. Edmar, a high-performing Filipino student, and Pili, a Native Hawaiian student-athlete, learn that navigating self-growth and teenage love in Hawaiʻi is as complicated as their understanding and love for Hawaiʻi and it’s ever-changing cultural landscape.
In this witty father-son story, we are introduced to Varun, a former scammer, and River, a trans drag performer, as they venture on a road trip across South Africa to rescue River's long-lost mother from a rehab clinic in eSwatini. River’s only worry is missing Her Majesty’s Drag Competition and the opportunity to win the prize money to pay for his top surgery. With secrets bubbling to the surface and a competition to win, their relationship will be tested like never before.
Thirsty one night stands, confused straight boys, rooftop confessions and a ménage-à-trois that explodes with hilarious results - it's all just part of the package in this latest offering of spirited story-telling from our Gallic friends. The short films are: Discreet [Scred] (2017); Distinguished Feelings [Sentiments distingués] (2019); Rue des Roses (2012); First Love [Premier amour] (2021); The Edge [4 fromages] (2019); Without Transition [Sans transition] (2021); Fragile [Babtou fragile] (2021).
An unexpected moment in a session with a client confronts a psychologist with his own inner world. Alienated by the isolation of his seemingly perfect city life, the psychologist encounters an extreme inability to understand and embrace his own human nature. His inescapable desires for his male client force the psychologist to look at who he does not want to be. It is the only way that he can find out who he really is.
With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.
