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Daytime Revolution 2024 - ()
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Disco’s Revenge 2024 - ()
The Coddling of the American Mind 2024 - ()
Death Without Mercy 2024 - ()
V/H/S/Beyond 2024 - ()
Mafia Wars 2024 - ()
Love Hurts 2025 - ()
Cinderellas Revenge 2024 - ()
Slide 2025 - ()
Queer Planet 2024 - ()
The Forge 2024 - ()
Green and Gold 2025 - ()
Grace Wins 2024 - ()
Deadzone 2024 - ()
The Distance Between Us 2024 - ()
A European Christmas 2024 - ()
Super Icyclone 2024 - ()
The Perfect Mother 2024 - ()
Thirsty for Likes 2024 - ()
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.