War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
A bit of a bore, is 'J. Edgar'. Leonardo DiCaprio puts in a very good performance as the titular character and his co-stars are all solid, but I just found the way that the story is told to be lacklustre. There aren't, at least for me, any memorable scenes and I wasn't invested in the plot at any point really. It's semi-watchable, but goes on for too long to be passably so. It does, as noted, have a neat cast list, with Armie Hammer, Naomi Watts and Judi Dench, among others, involved behind DiCaprio. I think they all give their best, with any issues I have with this 2011 release being away from them. Two duds in a row to start the 2010s from Mr. Eastwood; in my humble opinion, of course.
My only real complaint about Leonardo DiCaprio is that he looks like, well, Leonardo DiCaprio and that is a shame given that given that he doesn't play Lenardo DiCaprio, he plays whoever the script says he is and we all think he's the greatest thing since sliced bread because of that. Except in J. Edgar where, for the first real time, DiCaprio doesn't look like DiCaprio, he looks a lot like the cross-dressing fascist he's portraying. And being Leo, he acts like him too. THANK YOU. For once the studio didn't bank on his face and it paid out. So we not only get to see Leo acting the part, but for the first time we get to really see him looking the part too and the last time he did that was in "What's Eating Gilbert Grape." And on top of it all we have Clint Eastwood directing and, honestly, not a fan of him as an actor, love him as a director. Given his politics I walked in thinking Right Wing Love Story...I walked out with "honest depiction" and that helps a lot. Not only does that help, but the scandal around Hoover's sexuality was done appropriately, that is to say it didn't take center stage, J. Edgar did...and, as I said, you were watching J. Edgar and not Leo doing his best to be the man while having to still look like himself. it's just a win all around...except it could have benefited for time. Trim it down a bit. I know he's hugely important to history and Eastwood is a great director with a great cast but...it got a bit long in the tooth at places and that hurt the flow of the film.
An Adivasi 13-year-old from Telangana becomes the youngest girl in history to climb Mount Everest.
During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.
Everybody has their own dreams and fears. Are we all connected or are we really all alone in this world?
An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
Produced and directed this documentary for BBC in the 1980’s, about David Gulpilil, acclaimed Australian Aboriginal actor, dancer and musician. The film shows how Gulpilil is always working to bridge the gap between the tribal Aboriginal and Western worlds. He divides his time between a traditional tribal lifestyle and his artistic work, which has included major film roles, collaboration with contemporary dance and music groups and teaching Aboriginal dance and culture. Bill and David travel to Hollywood where David was the most popular Australian in the world at that time, with FOUR films playing in America – WALKABOUT, STORM BOY, THE LAST WAVE and MAD DOG MORGAN. After relating to both the black and native American cultures and filming a quick scene for a big Hollywood picture, he pines to head back through the Outback to his beloved Arnhem Land. Edited by Simon Dibbs and shot by Ray Henman.
A passionate and innovative teacher leaves his small hometown to teach in one of Harlem's toughest schools. But to break through to this students, Ron Clark must use unconventional methods, including his ground-breaking classroom rules, to drive them toward their potential.
The second volume of an international collection of five short films focusing on men, including: Enter (2018); Free Fall [Caída libre] (2018); Haze [Ocaso] (2014); Mr. Fox [Sr. Raposo] (2018); Twice [Due volte] (2018).
Chen Hao-Zhi lives alone with his Grandmother who has Alzheimers and has suffered from a stroke. In order to pay the bills and his grandmother's medical expenses, he goes to work in a gay massage parlor. At first, it was just work...but Hao-Zhi soon finds that he is attracted to some of his clientele, and gets pulled into a world where he loses control of things he thought he could handle.
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself.
A look at President Richard M. Nixon—a man carrying the fate of the world on his shoulders while battling the self-destructive demands from within—spanning his troubled boyhood in California to the shocking Watergate scandal that would end his Presidency.