Lettre à Nikola

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.

Dynamic Wisdom is a housing collective that exists since 2017. It brings together 16 people from Nigeria and 4 people born in Switzerland who have pooled their energy to respond to an emergency situation: sleeping on the street.

An intimate portrait of iconic photographer Helmut Newton shot by his wife and fellow photographer June Newton.

An intimate look at pioneering artist George Platt Lynes, who took radically explicit photographs of the male nude. The documentary reveals Lynes’ gifted eye for the male form, his long-term friendships with Gertrude Stein and Alfred Kinsey, and his lasting influence as one of the first openly gay American artists.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Short subject on how fashion is created- not by the great couturiers, but on the street.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

When an Arizona resident is charged with three felony counts and faces a 20-year prison sentence for helping migrants, his community grapples with moral questions posed by his arrest.