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Its Jules Verne and I remember having some very positive experiences with him at a very young age. So it has that going for it even if its not really the Jules Verne story, at least not in anything but name and concept. When I was little there was a made-for-TV movie that looked like it was intended to start a series that never happened and all the kids on the block ate it up. Unfortunately the made-for-TV movie was better. This version suffers from the same failure that Beowulf did....it was just too much. They toned it down a bit with the 3D, there were scenes that gave the viewer a break, albeit a short break. The problem is that once the action hit, once the story started to move along the 3D was too much and too constant. I remember vividly when they first arrived in Iceland....and that's about it. Afterwards I just remember all the 3D being too much and too CGI and in the end, I forgot I was watching a movie. They bombarded the audience with too much and, yes, it looked cool, but does that even matter when, in the end, you are too distracted to remember you paid for a movie, and somewhere in there, there was a story with actors actually acting it out...but they were well hidden beneath the 3D effects and you really didn't get to see them. Thank God movies learned how to tone it down and find a happy medium since.
What an ugly looking movie! It's all watchable, mind you. Even for 2008, the special effects of 'Journey to the Center of the Earth' are quite bad, they are more reminiscent of early 00s video game graphics. That whole initial sequence looks awful, admittedly the effects aren't actually as bad as that opening suggests but still looks unbefitting of a flick with a reported $60m budget! What saves this film is that the adventure plot itself is solid and the cast do admirable jobs. Brendan Fraser, Josh Hutcherson and Anita Briem are a trio that made it work for me. I haven't got much more to say about this one, it is visually woeful but as a picture overall it didn't drag or anything for me personally so I narrowly view it positively. Now to see what the sequel had to offer!
An American gets a ticket for an audience participation game in London, then gets involved in a case of mistaken identity. As an international plot unravels around him, he thinks it's all part of the act.
A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.
When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Connor and Web Smith are called in to investigate. Although Connor has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they're dealing with a cover-up as well.
A phobic con artist and his protege are on the verge of pulling off a lucrative swindle when the con artist's teenage daughter arrives unexpectedly.
Obro the muscleman goes to Atlantis and sinks a death-ray king who knows the secret of immortality.
After an abrupt and violent encounter with a French warship inflicts severe damage upon his ship, a captain of the British Royal Navy begins a chase over two oceans to capture or destroy the enemy, though he must weigh his commitment to duty and ferocious pursuit of glory against the safety of his devoted crew, including the ship's thoughtful surgeon, his best friend.
"Sleep Sweet, My Darling" shows a bittersweet coming of age of Tomica Skrinjar, starting at the tail end of World War II in 1945.
A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.
Episodes about different stages of relationships: from flirtation to falling out of love.