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"Sokolov" (Sergey Bondarchuk) hopes that his warrior days are behind him after the civil war as he settles down with sweetheart "Irina" (Zinaida Kirienko) and starts a family. Sadly for him, the Nazis don't share his desires for a peaceable life and so he is duly conscripted into the Soviet army. Like so many of his counterparts, he waves goodbye to his family promising to return but having no real idea when or if he shall. Things definitely don't get off to a good start when he is captured by the invaders and imprisoned amidst a perilous environment of arbitrary killings regardless of whether you are a prisoner of war, a Russian citizen or a Jew. With the impetus of the war shifting, though, he manages to escape and we follow his attempts to make it back home to his family. Now this is told in retrospective so we do know what the outcome of his searching is going to be and as we near the denouement we find a character that's utterly devoid of hope - until the young lad "Vanya" (a joyous effort from Pavel Boriskin) makes an unpredictably profound impact on the older man now largely bereft of purpose. The wartime photography delivers strongly here illustrating the mayhem and chaos brought by the indiscriminate activities of their enemy and, latterly, their own forces whilst clearly demonstrating the horrors randomly inflicted on the population. Bondarchuk is also expert at portraying a character that is simple, decent and ultimately one who wants merely to be left to the joys of his family and his hard work. That's especially poignant when he is facing death at the hands of the prison camp commandant who sees the killing of his inmates as little different from sport. There's a tiny bit of religiosity in here too, which I thought added an extra human dimension to a story that could just as easily be applied to any of a million foot soldiers fighting in WWII without knowing what was going on at home. If the last scene doesn't bring a lump to your throat...
Boxed is a journey of man who relies on consumerism to fill his inner void as he descends into madness when his latest purchase - the ClapMaster - a tiny device to power lights with a simple clap, does not arrive on time. Things turn dark when a box larger than him shows up at his door.
Long, bright day. Rabbit on the road. You try to avoid it. You crash. Two parallel worlds.
A chance encounter between two women on the Mersey ferry leads to an exploration of the loss they both carry and how they navigate life and memories in its wake.
Kaja, a young and promising artist, is stuck in a creativity crisis. Overwhelmed by the pressure of the art market, with no support of her faithless partner, she organises a diabolic performance. A macabre jibe at the world of art brings her great success. Kaja overcomes her helplessness and confirms her artistic position.
A mother, activist daughter and a free cow meet somewhere in the forest. The latter decided, together with its herd, to start a new life on its own account. But now, cows are to be caught and sentenced to death. Sara refuses to accept it. The girl escapes from home to defend the herd. Her mother Alicia follows the daughter.
JEROME (mid-teens) struggles with feelings of inadequacy when the annual Fathers and Sons event forces him to confront the absence of his own father; and he deals with it the only way he knows how—basketball.
Joey, the church boy, drops out of school to follow Bill into a ‘cooler’ lifestyle, until he mixes with the wrong people, and commits the worst sin of all...
Two insurance collectors still anchored in the traditional visits that were in the past, visit unusual clients who will make them reflect on life and their 30 years together.
Fukagawa's chef Ushimatsu of the restaurant Kawatake fell in love with a maid named Omame and changed dramatically. He stopped gambling and womanizing much to the surprise of his friends. As their wedding day approached, Minosuke who had long been infatuated with Omame threatened her mother Okuma by using a promissory note for three ryō that he lent to her.
