हीरा

The film opens with the murder of business magnate Amit Singhania (Bakul Thakker) who lives a wealthy lifestyle along with his wife, Ria Singhania (Shamita Shetty), in a spacious bungalow. He runs a company, Spykar Jeans. Ria is asked to co-operates with the Police, who suspect her for foul play as she is the sole proprietor of Amit's business and wealth. The police also suspect Amit's subordinate, Siddharth Sardesai (Parmeet Sethi), who may have killed Amit, who was also having an affair with Sonia Sharma (Sonia Kapoor), who works for an ad agency run by Diwakar. Ria meets with Aditya (Manoj Bajpai), who also works for the same ad agency, and is attracted to him, both get intimate, but Aditya, who is married to Neha (Shilpa Shetty), and has a school-going son,

Chandni and her dad belong to a well-off family. Iftekhar feels that Chandni has come of age and must get married, and he selects a groom for her and asks her to marry him. She refuses and runs away from home. She meets up with Fooman and Dhaboo and gets into a series of adventures with them, including eluding the police. One of their adventures lands them aboard a ship captained by Prem, who is transporting Princess Shehzadi to her native land. The princess likes Prem and would like him to marry her, but Prem refuses, and as soon as they land, Prem is arrested by the King, imprisoned, and tortured. Fooman, Dhaboo, and Chandni plan to help Prem to escape, which jeopardizes their own lives.

1955 bollywood film

It is a story of a 55-year-old man Pandit Girdhari Laal Sharma who wants to escape his family legacy of becoming a priest and aspires to become a storyteller instead. His reality is that he is stuck trying to find a date for his daughter's wedding. What follows is a series of unfortunate events which land him in jail. His dream starts unfolding in the most unexpected way as his stories find an audience amongst the prisoners.

Set in the 1970s, an undercover Indian spy takes on a deadly mission to expose a covert nuclear weapons program in the heart of Pakistan.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Sultana, a small town prostitute and her pimp Khudabaksh migrate to the metropolis, bringing with them their dreams and meagre belongings. Sultana goes about her bright and artful seductions but somehow misses her targets. Her business collapses. Desperately, Khudabaksh too tries his hand at many jobs but is unsuccessful. Sultana's loneliness and despair get objectified in her desire for a 'salwaar' that she needs to complete her black ensemble for the observance of mourning for Moharram.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

A single pregnant woman living without her husband or any man, alone, in a society of people where everyone questions her character and mysterious lifestyle. Reluctantly, Divyendu Sharma finds himself involved in her life. His aunt, played by Dolly Ahluwalia, is a woman who lives in Badnaam lane (name of the residential complex in Delhi) and keeps track of the society she lives in and keeps her nephew informed about the whereabouts of its residents, particularly the Bengali surrogate woman, Patralekhaa.

A man and a woman come from two very different cultural backgrounds, and decide that they won't get married until they convince their parents. As feared, differences between the families pose a hurdle.