Making The Billion Dollar Code

A road safety film for pedestrians in city traffic. Demonstrates typical unsafe practices.

The way of life for people living along the tropic of Capricorn in Queensland 1965. Farming and mining are the main industries in this area of Australia and the only way to get around is by road train, train or plane. The hard way of life for these people is portrayed in this film.

Survey of the Boer war with reconstructions and actualities.

Shows new methods in treating those afflicted with mental health issues. Contrasts past treatment regimes where people were locked away out of sight with the new, 1960s, psychiatric ideas of "group therapy" and talking therapy. Also shows practical behaviours aimed at returning patients to productive lives in society and outpatient services.

This film about Library services in Australia shows some of the work of the Commonwealth Parliamentary Library, the National Library with its varied resources and examples of State, University, special and public services suggesting their value in meeting needs for information at all levels. The library movement has become a vital part of Australian life. How libraries have fitted into society all over Australia, from the bustle of Sydney's Kings Cross to the remote outback.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

The third part about the production of "Raging Bull."

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

On the coast of the Arctic Ocean of Chukotka live people cut off from the world. Their life revolves around hunting walruses and whales and protecting villages from bears coming from the tundra. This turns the film into a reflection on death. Marine animals become the food of people, animal leftovers are used to feed arctic foxes on a fur farm, human cemeteries become prey for bears. It seems that all the inhabitants of these places are involved in the cycle of food and death. The film departs from the usual rhythmic structure of cinema, being built on the principle of a shamanic ritual, a meaning-forming event for northern peoples.