10월의 이름들

KIM-GUN searches for the whereabouts of a young man whose identity has sparked a national controversy over the 1980 May 18 Gwangju Uprising. Starting with the vague memories of those who had crossed paths with him during that time, the film tracks down those who participated in the Uprising as “Citizen Soldiers.” It also traces KIM’s final steps, based on photographic clues found in the firearms he carried and the “Surveillance Truck No. 10” in which he rode. By identifying KIM-GUN, we believe that we can find valuable leads to resolving the ongoing controversy over May 18. Why did a nameless young man join the Uprising? Why did he take up arms? Where has he gone afterwards? It is the answers to these questions that the film seeks.

In 1988, workers at the 'Busan Working Women's House' study the Labor Standards Act, receive overdue salaries, and take menstrual leave and pre- and post-partum leave. As the subdivided women's movement develops, Busan women also take to the streets to fight against domestic and sexual violence. Around the same time, female students in Busan and South Gyeongsang Province actively campaigned to create school rules to regulate sexual violence in universities. In 2000, Pusan ​​National University's first feminist festival

This is a film about workers, a film about the poor who were dragged out of homes and about his father. Director Park films his father who has lived as a laborer all his life, his weakened body, and nine years of time flowing over it. Park brings an impartial view of his father’s life. His father does not try to impart a particular value in front of the camera. What remains is to wonder where this cruel reality comes from.

When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.

Stories about the late President ROH Moo-hyun and BAEK Moo-yun - a man who once lost a congressional election - are intersecting and touching each other. This documentary tells a story about two men that dreamed about living in a country where the people come first.

Korean Baseball team < Lotte Giants > have 30 years history as same as Korean Baseball History. In this time, < Lotte Giants > made their fans weep and smile. However after 2000 year, < Lotte Giants > fell into a slump and span round a low ranking teams. But in 2008 year, < Lotte Giants > rebound from despair and mark 4th grade. < Lotte Giants > start 2009 season with big hope to get 1st grade. However their dream soon gets into troubles. < Lotte Giants >’ main players are wounded and their conditions fall. In the opening part of season, < Lotte Giants > fans are downhearted by their team. But they ? players and also fans - never give up. From the lowest rank, they start up the engine to win the season. Will < Lotte Giants > fans and players’ dream come true at the end?

Born in 1918 in the ideal village of independence activists in the northern part of Manchuria, pastor Moon Ik-hwan lost his childhood friend Yun Dong-ju under Japanese oppression and Chang Chun-ha during the Yusin regime. Moon survived the mass of modern Korean history, giving hope everywhere suffering.

Oh Minwook’s Eternal Brightness, adapted from Jo Gapsang’s novel Eye of the Night, narrates the past and the present lives of the characters who have lived through the contemporary history of Korea, from the Korean War in the 1950s to the Busan-Masan Democratic Protests calling for the Park Chung-hee administration’s Yushin regime in October 1979.

My father led a coup in 1961. Two years later, I became the president's daughter.

The expressions of democratization are usually interpreted by elites from two different parties but neglect the real faces/ life of every individual among the resistance rally. The director (a confused twenty-something) looks back upon the 40-year-history of democratization of Taiwan through the life experiences of two old-timers (who are grass-root rebels). He attempts to discover what causes their actions and decisions to be lefties, and what are their limitations.