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The circularity of violence seen in a story that circles on itself. In Macedonia, during the war in Bosnia, Christians hunt an ethnic Albanian girl who may have murdered one of their own. A young monk who's taken a vow of silence offers her protection. In London, a photographic editor who's pregnant needs to talk it out with her estranged husband and chooses a toney restaurant.
Falsely accused for cheating in a martial arts competition, two boyhood friends are banished from their Shaolin Temple and go their separate ways. As adults, they join opposing sides in a civil war. When one betrays the other, they settle their differences mano-a-mano.
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Marty, a butcher who lives in the Bronx with his mother is unmarried at 34. Good-natured but socially awkward he faces constant badgering from family and friends to get married but has reluctantly resigned himself to bachelorhood. Marty meets Clara, an unattractive school teacher, realising their emotional connection, he promises to call but family and friends try to convince him not to.
A cinematic story of drama after the drama and war that rages on in people's hearts even after the war. The hero, an Orthodox Christian monk, finds himself on a road to spiritual healing through circumstances he could never have dreamed of. The story follows the path to spiritual uplifting, metaphorically introduced at the very beginning in the hero's walk to the secluded hermitage. The leitmotif of watering a dry, dead tree, repeated throughout the film, illustrates the absurdity of the monk's faith. The permanent paralysis of the characters after the torment of war invokes forgiveness as the only means to ultimate healing.
Russian monk Grigori Rasputin rises to power, which corrupts him along the way. His sexual perversions and madness ultimatly leads to his gruesome assasination.
As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.
A middle-aged man meets a young woman who is waiting on a canal bridge for her lover's return.
When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.