All Girl Zone

Two women, Tokiko, a ceramic artist, and her apprentice, Haruka, are in a relationship. The couple is not an intrinsic lesbian, but they fell for each other by chance.

Jamie, an uninhibited free spirit bemoaning yet another breakup with a girlfriend, and her demure friend Marian desperately needs to loosen up. In search of a fresh start, the two embark on an impromptu road trip to Tallahassee, but things quickly go awry when they cross paths with a group of inept criminals along the way.

During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.

Documentary looking at the history of Hollywood musicals in the 1960s. This decade saw independent film companies becoming more prominent as the bigger Hollywood studios, who produced the mainstream musicals, experienced a decline. This brought the emergence of more realistic story lines and the use of contemporary music like rock 'n' roll. This programme features songs from the musicals 'West Side Story' (1961), 'The Music Man' (1962), 'Mary Poppins' (1964), 'The Umbrellas of Cherbourg' (1964), 'Funny Girl' (1968), 'Oliver!' (1968) and 'Sweet Charity' (1969).

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!

Four women spend the night in an old deserted sanitarium on a mountain. They each in turn fall into the the evil hands of a doctor…

In late XIX century, rich and bored Maria (Paola Senatore) is after a more sexually interesting life and gets involved with Alessio who shows her other kinds of love. She soon becomes his sex slave but some unexpected consequences will arise from her desperate search for sexual fulfillment.

WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!

Twenty-five films from twenty-five European countries by twenty-five European directors.