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With Robert Zemekis at the helm, it has to be good, right? Pretty much. Not the strongest performance by Cheadle, but otherwise the cast is great. John Goodman is a welcome surprise half-way through and really brings this home. With a feel good ending, what more do you 1-3 star people want?? It's Denzel!!
The title Flight is a perfect illustration that brevity really is the soul of wit. Its six letters describe not only the protagonist's occupation (flying), but also what he spends most of the film doing (fleeing), and if we only added a seventh letter (-y), it would describe the character himself. The film itself could stand to be shorter, but overall it's no exception to the rule that no good movie is too long. In addition to illustrating the aforementioned Shakespearean principle, director Robert Zemeckis inverts a famous Simpsonian maxim; in this case, alcohol is first the solution and then the cause of all the problems. One can identify a compulsive smoker when he lights a cigarette with the butt of the previous one; Similarly, one can spot an alcoholic when he soothes his hangover with leftover beer from the day before — and that’s just the start of commercial pilot William 'Whip' Whitaker's (Denzel Washington) breakfast of champions. Whip is still drinking in the cabin of Flight 227 bound for Atlanta, making himself a screwdriver, or several, before taking a nap. He wakes with a start when the plane begins to nosedive. Unable to regain control, Whip is forced to make a controlled crash landing in an open field, saving most of the "102 souls" on board. This includes a maneuver where Whip flies the plane upside down, and it's not just him but also Zemeckis who takes a huge risk and lives to reap the reward. The scene avoids becoming unintentionally funny because part of its purpose is precisely to provide some much-needed humor to ease the almost unbearable tension; at the same time, it manages to stretch the audience's suspension of disbelief without breaking it for two reasons: 1) it has real precedent, and 2) it's exactly the kind of thing someone flying under the influence would do. There’s no doubt that Whip has the expertise to pull off this maneuver successfully; the question is whether he would have dared to execute it while sober. Moreover,, the cause of the accident is a mechanical failure completely unrelated to Whip's sorry physical state. But Flight is not, like Druk, an apology for alcoholism. In an inferior film the vehicle, be it a plane or a car, would crash as a direct result of the driver/pilot's drunkenness, and the driver/pilot would be the only or one of the few survivors, making him feel even guiltier. Flight instead debunks the myth of invincibility that every alcoholic invokes by leading us to believe, practically to the end, that Whip might very well be literally invincible. "Maybe I'm a fool," Whip muses, "because if I'd just told one more lie, I might have walked away from the whole mess." But he knows as well as we do that after that “one more lie” there would be another lie, and another, and another, and that eventually his lies would have caught up with him, because ultimately there is no escaping the negative effects of addiction. Like the similar Clean and Sober, Flight loses momentum with a Romantic Subplot that a nearly two-and-a-half-hour film doesn't need; on the other hand, I really liked Washington’s and Zemeckis's attention to detail — for example, when in the middle of crash landing Whip has the presence of mind to make a flight attendant tell her son that she loves him so that the box black can record it (in case they don’t make it), or the way his facial language unequivocally expresses the world of difference, the passage from hell to paradise, that exists before that first line of cocaine — supplied by John Goodman in a pair of hilarious cameos, each one heralded by the presence of “Sympathy for the Devil” on the soundtrack — and after.
Milly and Louis, and their recently-widowed mom, Charlene, move to a new neighborhood. Once there, they all deal with a variety of personal problems, but Milly finds a friend in Eric, her autistic next door neighbor. Eric has a fascination with flight, and as the story progresses, he exerts an enthralling force of change on all those around him.
Charley Varrick robs a bank in a small town with his friends, but instead of obtaining a small amount of money, they discover they stole a very large amount of money belonging to the mob. Charley must now come up with a plan to not only evade the police but the mob as well.
Robbie Levinson and Trey McCoy suddenly encounter intolerance and hostility at the hands of their new neighbor, Chris Boyd, the son of a fundamentalist preacher.
Josh Biggs (Tyler Langdon, The Incredible Burt Wonderstone) is a young man riddled with severe anxiety. When he agrees to be the subject of an experiment pertaining to the treatment of social anxiety disorder, he hopes it will be the end of his troubles... and a way to get closer to its pretty conductor, Aurora Pilar (Hollywood Reel Independent Film Festival "Best Actress" winner, Laura Alexandra Ramos). Little does he know, he's about to endure the battle of his life. In a performance that skillfully juggles drama and comedy, Langdon leads a colorful cast in this poignant character study. Nerve is an "instant indie classic" that takes real risks.
A troubled arsonist spins a tale of espionage to a captivating girl, who becomes enthralled and entangled in his dangerous fantasies, leading to unexpected murder and chaos that change their lives forever.
This pilot for a TV version of the critically acclaimed feature Diner (1982) focused on the complaints of the wives, Elyse and Beth, that their husbands were spending too much time hanging at the diner with their friends.
During the Second World War, three downed English airmen hide out with women's internment camp in France.
As the global economy teeters on the brink of disaster, a young Wall Street trader partners with disgraced former Wall Street corporate raider Gordon Gekko on a two tiered mission: To alert the financial community to the coming doom, and to find out who was responsible for the death of the young trader's mentor.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.