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nice movie
After trying to move the character to more epic levels in ‘Chronicles of Riddick’, and failing to capture an audience, this third installment in the series, simply titled ‘Riddick’, is a return-to-basics for director David Twohy. It quickly sets itself loose from the baggage of ‘Chronicles’ and pursues a more clear-cut survival action story that might as well be titled ‘Pitch Black 2‘.
Maybe you're all scared of the wrong thing. Unsurprisingly reactions to this, the third outing for Vin Diesel's sci-fi based anti-hero, has been very mixed. In truth it's hardly a great film of the "must see" kind, and it does in fact cleave very close to Pitch Black, the first and most superior of the Riddick trilogy. However, there's a whole bunch of science fiction fun to be had here. Plot has Riddick left for dead on a inhospitable planet, where he finds himself up against some alien creatures. His only hope of getting off the planet is to bring notice of his whereabouts, which brings two ships to where he is. Both with crews who have differing reasons for wanting to capture the enigmatic convict... And thus we get a beautifully filmed sci-fier that features beasties of both the human and alien kind. Action and moody histrionics are never far away, and Diesel is wonderfully muscular, macho, course and scary. Some of the CGI is weak, and naturally much of the film's coincidences and contrivances have to be forgiven if one wants a popcorn and beer good time of it. 7/10
**(Note: This review is of the theatrical version, I have seen the uncut version and it is an improvement, but have not reviewed that edition)** In this latest incarnation, Riddick goes boldly goes where no previous entry has gone before: Nowhere. Say what you will about the previous film (_Chronicles of Riddick_) at least it had the guts to take some risks. Sure, almost all of those ended up being complete misfires, but they were still taken. Riddick on the other hand plays it safe. It’s a path not entirely without benefit, but one that was not expected from the series spawned by Australian cult-classic _Pitch Black_. Shoot me for saying it but I’m actually a huge fan of Davind Twohy (_The Arrival, Waterworld, G.I. Jane, A Perfect Getaway_) so I actually sort of hoped for more from the piece. Sure _Chronicles_ was silly and disjointed, sure _Dark Fury_ was totally unnecessary and _Dark Athena/Butcher Bay_ were only intermittently decent, but overall the Riddick franchise will always be compared to _Pitch Black_, and against this prodigy, the latest movie is simply subpar. The Necromonger storyline has been all but dropped, any connections to previous characters (sans Riddick) are completely unbelievable and the events are a shameless rip off of the first film. Seeing a more “survivalist” and intelligent Riddick is nice, as it’s always been sort of more insinuated than outright shown. The entire world that the events of the film take place on is even moderately interesting, and none of the actors or characters are outright let downs, but overall Riddick falls much closer to the “barely watchable” category than the “brilliant” one. It’s “cool”, it’s pretty and it’s most certainly entertaining, but it’s not new, it’s not clever, and it’s most certainly not as good as _Pitch Black_. 66% -_Gimly_
The third Pitch Black film "Riddick" is much more focused than its predecessor and a welcome return to the formula that worked so well for the original movie. Riddick is a bad-ass survivalist fighting an extinction level event that threatens everybody, with an assembly cast that is colorful and fun to watch.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
In Los Angeles, a wealthy man, known as Mr. Fuller, discovers a shocking secret about the world he lives in. Fearing for his life, he leaves a desperate message for a friend of his in the most unexpected place.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
In a world ravaged by crime, the entire island of Manhattan has been converted into a walled prison where brutal prisoners roam free. After the US president crash-lands inside, war hero Snake Plissken has 24 hours to bring him back.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
John Rambo is released from prison by the government for a top-secret covert mission to the last place on Earth he'd want to return - the jungles of Vietnam.
An ex-mercenary turned smuggler. A Mende fisherman. Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed countrywide.
An amateur camper stumbles across a kidnapping gone wrong, a jailhouse rendezvous, a double-cross, or a revenge plot, depending on which desperate character is misinterpreting the story - a puzzle thrill-ride told with no dialogue.