War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
nice movie
After trying to move the character to more epic levels in ‘Chronicles of Riddick’, and failing to capture an audience, this third installment in the series, simply titled ‘Riddick’, is a return-to-basics for director David Twohy. It quickly sets itself loose from the baggage of ‘Chronicles’ and pursues a more clear-cut survival action story that might as well be titled ‘Pitch Black 2‘.
Maybe you're all scared of the wrong thing. Unsurprisingly reactions to this, the third outing for Vin Diesel's sci-fi based anti-hero, has been very mixed. In truth it's hardly a great film of the "must see" kind, and it does in fact cleave very close to Pitch Black, the first and most superior of the Riddick trilogy. However, there's a whole bunch of science fiction fun to be had here. Plot has Riddick left for dead on a inhospitable planet, where he finds himself up against some alien creatures. His only hope of getting off the planet is to bring notice of his whereabouts, which brings two ships to where he is. Both with crews who have differing reasons for wanting to capture the enigmatic convict... And thus we get a beautifully filmed sci-fier that features beasties of both the human and alien kind. Action and moody histrionics are never far away, and Diesel is wonderfully muscular, macho, course and scary. Some of the CGI is weak, and naturally much of the film's coincidences and contrivances have to be forgiven if one wants a popcorn and beer good time of it. 7/10
**(Note: This review is of the theatrical version, I have seen the uncut version and it is an improvement, but have not reviewed that edition)** In this latest incarnation, Riddick goes boldly goes where no previous entry has gone before: Nowhere. Say what you will about the previous film (_Chronicles of Riddick_) at least it had the guts to take some risks. Sure, almost all of those ended up being complete misfires, but they were still taken. Riddick on the other hand plays it safe. It’s a path not entirely without benefit, but one that was not expected from the series spawned by Australian cult-classic _Pitch Black_. Shoot me for saying it but I’m actually a huge fan of Davind Twohy (_The Arrival, Waterworld, G.I. Jane, A Perfect Getaway_) so I actually sort of hoped for more from the piece. Sure _Chronicles_ was silly and disjointed, sure _Dark Fury_ was totally unnecessary and _Dark Athena/Butcher Bay_ were only intermittently decent, but overall the Riddick franchise will always be compared to _Pitch Black_, and against this prodigy, the latest movie is simply subpar. The Necromonger storyline has been all but dropped, any connections to previous characters (sans Riddick) are completely unbelievable and the events are a shameless rip off of the first film. Seeing a more “survivalist” and intelligent Riddick is nice, as it’s always been sort of more insinuated than outright shown. The entire world that the events of the film take place on is even moderately interesting, and none of the actors or characters are outright let downs, but overall Riddick falls much closer to the “barely watchable” category than the “brilliant” one. It’s “cool”, it’s pretty and it’s most certainly entertaining, but it’s not new, it’s not clever, and it’s most certainly not as good as _Pitch Black_. 66% -_Gimly_
The third Pitch Black film "Riddick" is much more focused than its predecessor and a welcome return to the formula that worked so well for the original movie. Riddick is a bad-ass survivalist fighting an extinction level event that threatens everybody, with an assembly cast that is colorful and fun to watch.
Under the constant watch of The Eyes, Misha lives within an environment of constant fear and hypervigilance. They live this way until they are interrupted in their work one day when a creature in the old vent above their station drops fragments of an image that changes the world as Misha knows it.
The Metaliens, alien robots intent on galactic domination, encounter a major setback. Their enormous Space Saucer, 'Compromise', enters a black hole in a strange, uncharted region of Space, and collides with another craft – sending the Kleptonite Ball, their precious cargo and the key to Universal Conquest, hurtling to a planet inhabited by primitive life forms: Earth. Having materialised in a bar, the Ball variously functions as a Christmas tree decoration, a bathroom ornament, and a fortune-teller's prop. The Metaliens must retrieve the Kleptonite Ball if their mission is ever to succeed. And that's when their problems really begin…
A mysterious young woman materializes in the middle of the southwestern desert, where each step teaches her about her new world and her new body. As she assumes her new life, she discovers she has a twin with whom she shares more than just an outward appearance.
Jakob Kelser is a lonely man living in a run-down house on the edge of a council estate. After enduring weeks of aggrevation and torment from local youths , Jacob, in a last-ditch attempt to once again lead a normal life, plots his revenge on his unsuspecting tormentors. One by one, they're be taught a lesson. One by one, they meet their deaths.
An alien decides to find out how much humans actually know about extra-terrestrials. The directorial debut of Mykhailo Titov, a master of chimerical animation of the 80s, is based on the story of the Ukrainian science fiction writer Volodymyr Zayets.
Born with valuable and powerful abilities, a young woman escapes a confidential, brutal experiment. Federal agents will stop at nothing to capture her.
Steve is a man who has it all, a successful career, wonderful children, beautiful home and a loving wife. However, returning to his home after work on his birthday, he finds his house deserted and darkened with almost all the lightbulbs missing, all easy access outside cut off and a videotape waiting for him. Playing that tape, he watches a bizarre and grueling recording in which his wife explains her grievance with him, her reasons for disappearing with the children and her revenge for how he treated her in a way he would never forget.
Sibling rivalry turned into betrayal between two brothers. One a prime candidate for Prime Minister, the other a henchman for a successful, yet shady businessman. Presented with an opportunity to take revenge against his brother, our anti-hero must come to terms with the truth in a world where you can trust no one and loyalty is rare.
Two brothers who've been separated for many years find each other again and vow to avenge their father's death.
Aiming to defeat the Man of Steel, wealthy executive Ross Webster hires bumbling but brilliant Gus Gorman to develop synthetic kryptonite, which yields some unexpected psychological effects. Between rekindling romance with his high school sweetheart and saving himself, Superman must contend with a powerful supercomputer.