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Having seen the 2010 restoration multiple times, it's probably blasphemy to say that Giorgio Moroder's restoration is my preferred way to watch the Fritz Lang classic. There's just something about how well 1920s German Expressionism marries with 1980s synth-pop, it's undoubtedly an artefact from another time and most likely nothing more than a curiosity to people nowadays but as an attempt to bring Lang's classic back to the masses, Moroder succeeded. It was the first serious attempt at trying to restore Metropolis to Lang's original vision after the 1972 attempt that had been plagued with multiple issues, so in that regard, I have to give Moroder some credit. This edit barely clocks in at 84 minutes long which is nearly an hour shorter than the modern restorations, however, you can still follow the story very easily despite chunks of the film being missing. It manages to hit all the major plot points of the original while forgoing intertitles of character dialogue for subtitles, the addition of new visual effects will probably sour purists but they fit the stylings of the film very well. It's really the music where most will draw the line, personally, I love Moroder's score and all the contemporary pop songs, it just strikes all the right notes for me, his opening piece titled Machines especially. With Moroder's colour tints, snappier pace and occasionally incredulous music, this version of Metropolis is often a great deal more fun and certainly something more along the lines of a cult classic than a masterpiece of world cinema.
In the year 2403 AD, a young student named Satoru is visited by a time traveler from the future, a cute girl named Alisa. The two go back in time together to explore the 21st century when a malfunction sends them hurdling through seemingly random episodes of religious and historical importance featuring Buddha, Jesus Christ and other eminent figures.
Set in the late 1950s, in a retro futuristic world, widowed father Richard arrives home from work to find his house in chaos. His son Thomas scares off their caretaker, Julie and steals her necklace. Richard prepares dinner, however Thomas is dissatisfied with the meal, broccoli soup, arguing his mom would have made it better. Richard snaps at Thomas, who leaves his soup on the table and retreats to his bedroom. Richard is left alone, defeated, takes a seat on the couch and sees a commercial for Rob.B, a personal caretaker robot. The next day, Rob.B shows up to take care of Thomas, but after a puzzle piece goes missing, Rob.B tries to find it and ends up being electrocuted causing a malfunction. Julie returns to find her necklace and the now aggressive Rob.B chokes her unconscious. Richard and Thomas must learn to communicate and work together to defeat Rob.B.
Adapted from Yoram Kaniuk's best-selling novel, this heart-rending love story unfolds during the siege of Jerusalem in 1948. A young and beautiful volunteer nurse is drawn to the enigmatic Himmo, a mortally wounded and mutilated soldier who cannot speak or move.
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
A prequel to "Stone Cold", the story picks up after Jesse Stone is fired from the Los Angeles Police Department. He becomes an unlikely candidate recruited by a town council to become police chief of Paradise, MA, a small fishing town on Boston's North Shore. The board hopes his failed experience will keep him from digging too deep into the town's secrets. His first assignment is to investigate the murder of his predecessor whose death may be tied to a local domestic disturbance case, with connections to money laundering and murder involving some of the town's most affluent names as possible suspects.
After the death of his son, travel writer Macon Leary seems to be sleep walking through life. Macon's wife is having similar problems. They separate, and Macon meets a strange, outgoing woman who brings him 'back down to earth', but his wife soon thinks their marriage is still worth another try.
Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow.
Amélie, a young Belgian woman, having spent her childhood in Japan, decides to return to live there and tries to integrate in the Japanese society. She is determined to be a "real Japanese" before her year contract runs out, though it precisely this determination that is incompatable with Japanese humility. Though she is hired for a choice position as a translator at an import/export firm, her inability to understand Japanese cultural norms results in increasingly humiliating demotions. Though Amelie secretly adulates her, her immediate supervisor takes sadistic pleasure in belittling her all along. She finally manages to break Amelie's will by making her the bathroom attendant, and is delighted when Amelie tells her the she will not renew her contract. Amelie realizes that she is finally a real Japanese when she enters the company president's office "with fear and trembling," which could only be possible because her determination was broken by Miss Fubuki's systematic torture.
