The Coddling of the American Mind 2024 - Movies (Feb 6th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
Cinderellas Revenge 2024 - Movies (Feb 5th)
Slide 2025 - Movies (Feb 5th)
Queer Planet 2024 - Movies (Feb 5th)
The Forge 2024 - Movies (Feb 4th)
Green and Gold 2025 - Movies (Feb 4th)
Grace Wins 2024 - Movies (Feb 4th)
Deadzone 2024 - Movies (Feb 4th)
The Distance Between Us 2024 - Movies (Feb 4th)
A European Christmas 2024 - Movies (Feb 4th)
Super Icyclone 2024 - Movies (Feb 4th)
The Perfect Mother 2024 - Movies (Feb 4th)
Thirsty for Likes 2024 - Movies (Feb 4th)
Three Secrets 2024 - Movies (Feb 4th)
Ryans World the Movie Titan Universe Adventure 2024 - Movies (Feb 4th)
Chris Jansing Reports - (Feb 6th)
The Nature of Things - (Feb 6th)
Four in a Bed - (Feb 6th)
Homes Under the Hammer - (Feb 6th)
Divided by Design - (Feb 6th)
Perfect Match - (Feb 6th)
Family Feud Canada - (Feb 6th)
Live PD Presents- PD Cam - (Feb 6th)
NCIS- Sydney - (Feb 6th)
Australia on Fire- Climate Emergency - (Feb 6th)
Bangers and Cash - (Feb 6th)
Celebrity Help My House Is Haunted - (Feb 6th)
Someday at a Place in the Sun - (Feb 6th)
Bargain-Loving Brits in the Sun - (Feb 6th)
Dateline- Secrets Uncovered - (Feb 6th)
Ozark Law - (Feb 6th)
Pawn Stars - (Feb 6th)
A League of Their Own - (Feb 6th)
The Chase Australia - (Feb 6th)
Tipping Point Australia - (Feb 6th)
The duality of death. Dual Alibi is directed by Alfred Travers who also collectively adapts the screenplay with Stephen Clarkson and Vivienne Ades from a story written by Renalt Capes. It stars Herbert Lom, Phyllis Dixey, Terence De Marney and Ronald Frankau. Music is by Stanley Black and cinematography by James Wilson. Top French trapeze artists, the de Lisle twins (Lom), are hired by a British promoter to go work in Blackpool in the North West of England. Whilst in Blackpool one of the twins falls for an aspiring singer, causing tremors in the brother’s relationship. But when news comes through that they have won the French lottery, the brothers unite in their good fortune. However, good fortune is not to last as their world comes crashing down in a ball of treachery, greed, the misfortunes of fate and murder! Moody monochrome, flashback structure, kilter circus atmosphere, femme fatale and a haunting musical score, welcome to the world of under seen British noir. The low budget is barely noticed as Travers and Wilson skilfully move the film at a good pace whilst draping it in shadows and murk, and the trick photography accomplishment that brings two Herbert Lom’s together on screen brilliantly belies that this is a poverty row production. Lom is excellent in the dual role, giving each twin its own characteristic so the audience is never out of the loop. Yet he also deftly manages to ascertain a deep emotional bond between the two men, so when the darkness comes (the ending for instance is miserably no conformist) we feel the slap of film noir’s hand. Around Lom are effective performances from Marney as the repugnant Mike Bergin and Dixey who slinks about with conviction as smouldering fatale Gloria Gregg (AKA: Penny). Highly recommended for anyone interested in British film noir. 8/10
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
The Landers sister star as twin sisters (obviously) in this oddly disturbing film. The girls, who are budding performers, are booked for a club date, which quickly turns into a nightmare. Brutally gang raped, they get no satisfaction from the police, so they carry out their own brand of justice.
Some of Sin City's most hard-boiled citizens cross paths with a few of its more reviled inhabitants.
Charlie Kaufman is a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.
Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, Andy is a cook who forever puts off home remodeling projects, Natalie is a plumber and Nicola is jobless. This film is about how they interact and play out family, conflict and love.
A puzzling investigation leads a no-nonsense cop down a dark path involving the vicious rivalry between twin sisters and the volatile man they both love.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Twins, separated at birth, end up as a Hong Kong gangster and a New York concert pianist. When the pianist travels to Hong Kong for a concert, the two inevitably get mistaken for each other.
Lotte and Louise meet at a summer camp. Everyone who sees the two falls open in surprise, the girls look so much alike. It doesn't take long before they find out that they are actually twins.
During a blizzard in 1964, Dr. David Henry delivers his son Paul with the help of nurse Caroline. But when Henry realizes his wife is also carrying a girl with Down syndrome, he hands the second child over to Caroline without his wife's knowledge. Henry's fateful decision yields grave consequences for his family over the next 20 years.
To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.