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I reserve the right to break your jaw. Patterns centres around the fierce and dog eat dog world of an executive conglomerate company. Written by Rod Serling (he of The Twilight Zone fame) and based on his own play, it's a stunning picture that relies (and succeeds) on spiky dialogue and a trio of superlative acting performances. Not containing any music at all and filmed primarily within the confines of an interior setting, Serling and his on form director, Fielder Cook, have crafted probably the essential picture dealing with the harsh and at times brutal realities of big business ladder climbing. Everett Sloane, Ed Begley and Van Heflin really provide the viewers with an acting tour de force. Sloane as the big boss Walter Ramsey, creates a strutting despotic character that is as memorable as it is harsh, here's a man who will not "pattern" a sacking of an employee, he would rather break him into resignation!, a totally vile and cruel "pattern" tactic. Begley (superbly playing weary emotion) plays the genial and honest William Briggs, who upon welcoming Van Heflin's Fred Staples to the company, realises it's likely to be at his own cost. This giving the film a deep emotional "pattern" as Staples (Heflin to me, donning a career high) gets conflicted about his role in this company, this leads us to a truly excellent finale as Heflin and Sloane go at each other with a gripping intensity that many modern actors could do no worse than to take note of, it really is something to behold. A fabulous movie that comes highly recommended to anyone who appreciates dialogue driven films with intelligence pouring from every frame. 9/10
When "Staples" (Van Heflin) arrives at the "Ramsey" building to take up his new executive job, he meets his boss "Briggs" (Ed Begley) then the guy with his name on the door (Everett Sloane), and is welcomed with open arms. Pretty quickly, though, he realises that "Briggs" - who has recently return from illness is in the firing line - and that he is to be the principal weapon used to replace him. The problem here is though "Staples" is fiercely ambitious, and his wife "Nancy" (Beatrice Straight) isn't so very far behind on that front, he actually quite likes "Briggs" and his more human approach to doing business. Indeed, when that man's secretary is arbitrarily attached to the newcomer, it would appear that the writing is on the wall so just how complicit will his scruples allow him to be? I found this to be one of Heflin's better parts, and he portrays his conflicted character really quite effectively. Begley is also on good form as a man maybe just a little past his use-by date and Sloane epitomises the family business obsessed mogul who cares only about power - and for it's own sake. What choices can "Staples" make? What choices does he want to make? This is a quickly paced look at humanity - warts and all, and for double the salary and an unlimited expense account, what might any of us do?
Finding love in city can be hard, keeping it can be harder. Look at Me revolves around the lives of seven twenty-somethings and their complications with dating and surviving in New York City.
As her marriage dissolves, a Manhattan writer takes driving lessons from a Sikh instructor with marriage troubles of his own. In each other's company they find the courage to get back on the road and the strength to take the wheel.
Evicted from his squat and suddenly alone on the streets, George is a man without a home. Struggling with his demons and desperately trying to connect with the daughter he abandoned, he navigates the system, hustling for change and somewhere safe and quiet to gather his thoughts. But the streets are relentless and soon, George finds himself teetering on the edge, alone and abandoned.
Though he began in stand-up comedy, Andre Allen hit the big-time as the star of a trilogy of action-comedies about a talking bear but now he wants to be taken seriously. His passion project about the Haitian Revolution, a movie called Uprize, was panned by the NY Times film critic. A couple days before the wedding to his reality star fiancée, he's forced to spend the day with Chelsea Brown, a profile writer for the New York Times. Unexpectedly, he opens up to her, and as they wind their way across New York, he tries to get back in touch with his comedic roots.
John Rosow drinks to forget. He is a former New York City cop turned Chicago-based private investigator. At the last minute, he is hired by someone he's never met to follow a middle-aged male subject on the soon-departing California Zephyr train to Los Angeles.
A young, ambitious New York City matchmaker finds herself torn between the perfect match and her imperfect ex.
This 2017 movie follows the original dance academy TV show and tracks where the characters are in their lives now.
When a marriage of convenience becomes the real thing, Joe moves his pregnant French wife to a tenement building on New York's Lower East Side. The street is like a war zone with none of the nostalgic appeal that Joe remembers from tales of his immigrant grandparents arriving in the same neighborhood with a new life. This is the urban frontier filled with comic mixture of gentrifies, homeboys, dealers and local residents simply bent on staying a float
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
Igby Slocumb, a rebellious and sarcastic 17-year-old boy, is at war with the stifling world of old money privilege he was born into. With a schizophrenic father, a self-absorbed, distant mother, and a shark-like young Republican big brother, Igby figures there must be a better life out there - and sets about finding it.
Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.