Beyond & Back

The film chronicles the life and revolutionary times of death row political prisoner Mumia Abu-Jamal.

In this thought-provoking film, director Paul Perry uses recent research into near-death experiences to answer the question that's plagued humans since the beginning of time: Is there life after death? Through interviews with near-death researchers and accounts from those who've returned from the abyss - along with case studies, event recreations and spiritual artwork - the film makes the case that life continues long after our last breath

In a world full of constant change, we are always aware of what’s going on and what we think about it. This gives us a sense of who we are related to what we are aware of. This documentary reveals that awareness itself is not what you think.

Raised as a slave, Danny is used to fighting for his survival. In fact, his "master," Bart, thinks of him as a pet and goes as far as leashing him with a collar so they can make money in fight clubs, where Danny is the main contender. When Bart's crew is in a car accident, Danny escapes and meets a blind, kindhearted piano tuner who takes him in and uses music to free the fighter's long-buried heart.

Rusty Sabich is a deputy prosecutor engaged in an obsessive affair with a coworker who is murdered. Soon after, he's accused of the crime. And his fight to clear his name becomes a whirlpool of lies and hidden passions.

Brenda, Laura, Ruben and Willem meet each other at an uneasy therapy session. The unconventional therapist (Pamela Tevis) tells them they only have 48 minutes left to live. Looking back at their lives, they start making choices they never dared before. ** This movie was made as part of the 48 Days Film Project: all writing, shooting and editing happened within 48days.

An elaborate bank robbery takes place and the gangsters succeed although the FBI had been warned. Jerry Cotton, who is considered accountable for this major failure, loses his badge over this. Being the man he is, Cotton doesn't let the evil-doers forget that he has unfinished business with them.

As Hercule Poirot enjoys a luxurious cruise down the Nile, a newlywed heiress is found murdered on board and every elegant passenger becomes a prime suspect.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

One lie in the past can change the future.

Upon awaking in the morning, a man finds his thoughts clouded by the possibility that he committed a murder.