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Smoggie Queens - (Nov 28th)
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Bad Monkey - (Oct 2nd)
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I was really disappointed, considering all of the great actors involved and since I love science fiction and the great disaster films of days gone by. I bought the DVD used and got my money's worth--it's a decent watch. I would recommend watching if you like disaster movies or any of the actors involved, maybe even renting or buying the DVD used or for a really good price new, say for 5 bucks, but anything more would be wasteful or being ripped off.
A high school Astronomy club discovers a celestial anomaly, their advisor checks it, becomes alarmed at what he finds, and things shift gears. Not bad for a movie that made "E.L.E/Extinction Level Event" a popular phrase and made the naive public aware of The Danger From Space. From there, seemingly unrelated events come to the attention of a novice TV reporter, culminating in an Apollo-Soyuz level cooperative near space mission. The star-studded crew isn't worked very hard, even as the people are divided into two groups by lottery. Nevertheless, Family is front and center, in many forms, from divided to nuclear to "baby makes three." At least the audience wasn't subjected to a barrage of macho chatter that characterized "Armageddon," but a out-of-this-world reading of "Moby Dick." Morgan Freeman's "President Tom Beck" does his best "Abraham Lincoln" in this film, which is one reason I watch this film when it is broadcast, even though I have the DVD. 8/10;)
This could have been so very much better had director Mimi Leder focussed on creating either a decent science fiction film or an extinction event family drama, rather than this messy hybrid with too many slushy emotional sub plots. Téa Leoni is a television journalist assigned to investigate the resignation of a senior US Government official (James Cromwell) during which she discovers that a comet discovered a year earlier is on a collision course with Earth. President Morgan Freeman convinces her to hold off on broadcasting the story whilst they finalise their contingency plan - a joint Russo-American space craft called the "Messiah" charged with a mission to divert this monstrous chunk of rock from it's path of destruction. Robert Duvall manages to conjure up some sort of gravitas as the navigator of the ship but otherwise a good cast - on paper - including Maximillian Schell, Jon Favreau, a very young Dougray Scott and Vanessa Redgrave as her mother, all really fail to make any, well, impact! The effects are quite good but I'll bet they prayed they only had to shoot the finals scenes once!
This drama follows the dilemma of a young, unwillingly pregnant wife who gives her child up for adoption by a businesswoman. Anna doesn't need another mouth to feed. She can barely afford to care for the two she already has so when she discovers that she is six weeks pregnant she readily accepts the cash offer from Terez, her tough boss at the store where she works. If she will isolate herself throughout the pregnancy, secretly bear the child and immediately allow Terez to sign for it, Anna will receive $50,000. Most of the story then focuses upon Anna's emotional processes as she evaluates her choice. Included are dream segments and shots an unborn baby in the womb.
Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark - permitting the "drama" to emanate from the actors rather than the situations - is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.
A film about two young women, trying to decide how to go on with their lives and loves: Marie just dumped her boyfriend, who's married and can see her just secretly twice a week. At this point Pipa invites her to join her on a visit at her home at the coast of Portugal. Only when they are arrived there, Marie learns that Pipa has come to marry Manuel, and that she too is unsure if she'll be happy with her decision.
When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life - an investigation that leads to an unexpected romance with a rising journalist.
Manuela (40) is the cook in a restaurant when the Balkan conflict breaks out on the other side of the world. The madness of war permeates her surroundings, invades her intimacy and unleashes its own warlike escalade.
Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.
Seven short films - each one focused on the plight of a different child protagonist.
When tornadoes hit a nuclear power plant, critically damaging the plant's cooling system, the results could be catastrophic. Atomic Twister, a countdown to disaster, traces an extraordinary day in the lives of small town citizens who unexpectedly find themselves facing the possibility of mass destruction.
Ali must lie and say she is her wife's sister so she can be with her in the hospital. Through Ali's memories, we see the women's relationship develop as Ali faces the truth in the present.
Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.