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In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
At the end of 1944, Japanese imperialists stuck to nothing to reverse the war situation as they were defeated in war. They recruited young people by force to use them as student soldiers and drafted workers while they took women to use as comfort women by force. The girl who has lived in a town on the border between Jeon Ra Do and Kyeong Sang Do was kidnapped by armed Japanese army. She was dispatched to a front of the Philippines where she went through miserable pains that weren't understandable not only for as human being but also as women. Her dream was to marry Young-Su of the next door school and to be a good mother who has a son and two daughters.
Jong-bun, in her eighties, is one of the last surviving 'Comfort Women' victims forced into sexual slavery by the Japanese Army during World War II. Back in 1944, at the end of the Japanese occupation in Korea, Jong-bun was a poor but energetic girl while Young-ae was the smart rich clerk's daughter. One day, Jong-bun gets abducted and finds herself on a train for Manchuria. To her surprise, she also finds Young-ae on the train facing the same fate to become a comfort woman. Jong-bun and Young-ae help each other go through the living hell and as the war comes to an end, they finally escape from the comfort women camp, only to face two different paths of life. Decades later, Jong-bun helps out a teenaged girl who is disoriented in life, reminded of her own painful past.
A man wanders around the mountains with a bleeding leg, holding a rifle in his hand. Seemingly a fugitive, he runs from as-yet unknown pursuers, but he also seems to be following somebody who has already walked the same path. As he hides in a secluded cave, past memories sweep through his exhausted mind, memories of lifelong cowardice and evasion. And this recollection leads to a reconstruction of early 20th century Korean history. Winner of Best Picture (Nam-a Pictures Co., Ltd.), Best Actor (Ha Myung-joong), Best Art Direction (Kim Yoo-joon), Best Lighting (Son Young-cheol) at the 14th Grand Bell Awards. (source: Jiro Hong, koreanfilm.org)
This film is about of the life of the young patriotic martyr Yu Gwan-sun, who fought for the liberation of her country during the Independence Movement in 1919. As the Independence Movement becomes more and more intense among Korean students, the Japanese authorities order schools closed temporarily. Yu Gwan-sun (Do Geum-bong) persuades her neighbors to join the national movement, and continues her aggressive struggle against Japanese rule. An independent campaign at Aunae, a market site, is successful with the passionate participation of many people. She is arrested by the Japanese police for leading the campaign and has to endure horrible tortures. But she never gives up her fight, encouraging her cell mates to participate in the movement. She is finally taken to an underground room by the Japanese police and murdered.
An account of karate competitor Choi Yeung-Eui who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama and went across the country, defeating martial artists one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.
An Jung-geun fights for Korea's independence from the Japanese Empire and sparks a movement. In 1909, he assassinates Itō Hirobumi, the first prime minister of Japan and resident-general of Korea.
During the Japanese colonial era, roughly 400 Korean people, who were forced onto Battleship Island 'Hashima Island' to mine for coal, attempt to escape.
During the Japanese occupation of South Korea, a Japanese bureaucrat is ordered to persuade an influential Korean patriarch into obeying the law of changing his Korean surname to a Japanese one.
In the 1990s, some newspapers were not allowed to enter the Diyarbakir region, under a state of emergency at that time, although they were legal. Children like Bawer and Hebûn, who were part of the distribution group, would secretly collect these newspapers from outside the city at a previously agreed location and take them to the planned meeting place in the city. There, the children changed their clothes and went out to distribute them, under the guise of other work. But they were constantly followed by those who saw the newspaper as dangerous and wanted to prevent its dissemination. Çerx is a testament to the conditions under which these newspapers were distributed to readers and the difficulties encountered.