Dark Match 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
The Last American Vagabond - (Jan 30th)
Richard Osmans House of Games - (Jan 30th)
Four in a Bed - (Jan 30th)
Come Dine With Me- South Africa - (Jan 30th)
The Nature of Things - (Jan 30th)
The Dog House - (Jan 30th)
The Apprentice - (Jan 30th)
Tyler Perrys Sistas - (Jan 30th)
Katy Tur Reports - (Jan 30th)
Pictionary - (Jan 30th)
Chris Jansing Reports - (Jan 30th)
Andrea Mitchell Reports - (Jan 30th)
Piers Morgan Uncensored - (Jan 30th)
Brian and Maggie - (Jan 30th)
Nature - (Jan 30th)
Storyville - (Jan 30th)
Road Wars - (Jan 30th)
Perfect Match - (Jan 30th)
Family Feud Canada - (Jan 30th)
Homes Under the Hammer - (Jan 30th)
In April 2013, unfamiliar faces appear at the Jamsil Baseball Stadium during the opening matches between Doosan and SK. The nervous middle-aged men throwing and batting the first ball are, in fact, Korean-Japanese former team members that played on that same spot in the 1982 finals of the Bong-hwang-dae-ki games.
Osaka Korean High School has provided education for the past six decades to the children of pro-North Korean residents in Japan. This school is located only about 20 minutes away from Hanazono Stadium, the mecca of Japan’s high school rugby, but it was not until 1994, 18 years after the foundation of a rugby team at the high school, that the Japanese education ministry approved the team’s entry into the official league. Since then, the team has run in the national league as a representative of the Osaka area and been considered a front-runner ever since. The team has strong players and passionate supporters, but it faces difficulties just before winning the league.
Imman Kim wants to reconcile with his parents, who emigrated to Osaka after April 3 Jeju Uprising. Cheolwoong Park has supported his younger sister during his entire life, blaming his father who moved to Tokyo to avoid guilt-by association. Soonam Park has devoted her life to human rights movement for a second-generation Korean-Japanese and her daughter Mayi Park who also lives as a Korean-Japanese. This film tell us about meaning of a nation through their life stories.
Director Park Soo-nam, a second-generation Korean resident in Japan who is losing his eyesight, decides to digitally restore 16mm film she shot a long time ago, relying on her daughter Park Ma-eui's eyesight. The blood, tears, and numerous corpses of Koreans living in Japan are clearly engraved in the film filmed over 50 years.
This documentary is about the 3rd and 4th generation Korean residents of Japan who are students of Chosen elementary, middle, and high school in Hokkaido. It follows the students through one year of the eventual 11 years` national education. Rather than focusing on special occasions or issues, it reveals what it is like to live in Japan as Korean-Japanese by describing their everyday lives.
Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.
Dear Pyongyang is a documentary film by Zainichi Korean director Yang Yong-hi (Korean: 양영희, Hanja: 梁英姬) about her own family. It was shot in Osaka Japan (Yang's hometown) and Pyongyang, North Korea, In the 1970s, Yang's father, an ardent communist and leader of the pro-North movement in Japan, sent his three sons from Japan to North Korea under a repatriation campaign sponsored by ethnic activist organisation and de facto North Korean embassy Chongryon; as the only daughter, Yang herself remained in Japan. However, as the economic situation in the North deteriorated, the brothers became increasingly dependent for survival on the care packages sent by their parents. The film shows Yang's visits to her brothers in Pyongyang, as well as conversations with her father about his ideological faith and his regrets over breaking up his family.
The protagonists of the film are the Zainichi Korean women living in Kawasaki. They were tossed about by the war, and after many trips to and fro across the sea in search of a place to live, they finally arrived in Kawasaki, where they have lived modestly and vigorously.
After 15 years of knowing Chosun people in Japan I met on Mt. Geumgang in 2002, I face the history of colonization and division that I had not known before. They’ve been to North Korea many times, but never to South Korea. They tell us why they want to live as Chosun people despite the discrimination in Japanese society.
In Kawasaki, Japan, 1st to 3rd generation of Korean-Japanese and Americans share their daily lives and wish for a symbiotic society. The inter-Korean summit in 2000 brought reconciliation and hope to the divided Korean community. Meanwhile, hundreds of hateful demonstrators are approaching Sakuramoto, the Korean residence, amid deepening tensions between Japan and Korea in 2016.