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FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/other-films-watched-spoiler-free-review-sundance/#emily "Emily the Criminal boasts two phenomenal performances from Aubrey Plaza and Theo Rossi, but its by-the-numbers crime-thriller narrative lacks sufficiently creative ideas to make it more than just an average viewing. The actress proves her immense talent once again, but it's actually the actor who surprises in a more grounded role that breaks many stereotypes related to this particular type of character. A good ending may leave the audience with an opinion more positive than what the film warrants, but it's admittedly entertaining and interesting enough... for a home release." Rating: C
Emily the Criminal is a brilliant look at the stakes a person will go to in order to dig themselves out of crippling student debt. I had a really good time with the film, Aubrey Plaza is fantastic as the lead, she carried this movie and made it an absolute treat to watch. The story hits on a lot of elements that the resonant with millennials while exploring them in a way that feels genuine. The plot is pretty good, although the main story points are almost all revealed in the trailers, which was a bit disappointing. There were times where I was having a hard time believing she could continue to get away with all the illegal activity she was getting up to without even raising suspicion, but I was able to turn my mind off and still have a solid experience. **Score:** _75%_ **Verdict:** _Good_ **Theater Verdict:** _See It_
**Emily the Criminal's intriguing story and committed performance from Aubrey Plaza brought great high notes, but slow sections and a sad conclusion added some low notes.** Emily the Criminal chronicles a woman's impossible struggle to find work and survive with the insurmountable burden of her criminal record standing in the way. Eventually, honest employment seems impossible, so she turns to a more lucrative but more illegal method of income. Her path to success in the credit card fraud racket was interesting, with all the dangers of her new work and the pressure of avoiding getting caught. Unfortunately, the plot's pacing ebbed and flowed between long sections of an engaging and exciting story and long sections of slower, less interesting content. The title's meaning transformed as the movie progressed and the characters developed, but the final moments just saddened me. The character growth came at the expense of others and kept me from being able to cheer for where everything ended.
Solid film, very cool to see Aubrey Plaza in more serious roles (I'm mostly familiar with her through *Parks and Rec*). Ending didn't really give me the resolution I was looking for, however, and mirroring the way Emily started (except now in South America) felt a little too easy from a storytelling point of view.
While “Emily the Criminal” isn't for everyone, it does succeed on many fronts. It's not your run-of-the-mill crime flick; instead, it's an in-depth look at the mind of its main character and examination of criminal behaviour. The film's overall noir vibe appeals to me, and I think its effectiveness as a small-scale thriller stems from its commitment to staying grounded, scaled down, and focused. Additionally commendable is Plaza's performance, and given that this is John Patton Ford's directorial debut, he, too, is deserving of recognition for his efforts. Yet, despite its entertaining nature, the film fails to make a lasting impression. ___ **Rating**: 7.0/10 _(Good)_
Aubrey Plaza is very good in 'Emily the Criminal'. I've predominantly seen her in comedic roles, so it's good to see her act in something thriller-ly. I enjoyed her performance from beginning to end, no complaints whatsoever. Theo Rossi also puts in a strong performance, while the rest of the cast are solid. It's an entertaing story, one that wraps up in a different way to what I would've predicted - but that's not a bad thing. Elsewhere, the music is decent - even if one bit of the score sounds straight out of 2011's 'Drive'. The run time is pleasantly short to boot. Rewatchable, in a word.
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
Keong comes from Hong Kong to visit New York for his uncle's wedding. His uncle runs a market in the Bronx and Keong offers to help out while Uncle is on his honeymoon. During his stay in the Bronx, Keong befriends a neighbor kid and beats up some neighborhood thugs who cause problems at the market. One of those petty thugs in the local gang stumbles into a criminal situation way over his head.
Prof. Millard pretends to be dead and helps Jeff King ferret out Vulcan, the evil traitor at the science academy. Donning his Rocket Man costume King goes from one hair raising rescue to the next in order to keep the newly invented Decimator out of the clutches of Vulcan and his minions.
Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.
Three reckless robbers target a chinese mafia club. They do not know, however, that the bartender, the only one who knows the safe combination, is narcoleptic and falls asleep suddenly when he gets too emotional...
Tatsuhito, a cop, pursues Chinese warlord Wang through the underworld of Shinjuku and over to Taiwan.
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
Lisa Conroy is general manager at a highway-side 'sports bar with curves', Double Whammies. She nurtures and protects her employees fiercely - but over the course of one trying day, her optimism is battered from every direction. Double Whammies sells a big, weird American fantasy, but what happens when reality pokes a bunch of holes in it?
After leaving work one night, Los Angeles attorney Jeff Mills and his colleague rescue a young, beautiful woman from an abusive boyfriend. Jeff soon becomes romantically involved with her and embroiled in the web of intrigue that follows her, despite a string of ominous happenstances and repeated warnings from his secretary.
When Nick Davis leaves prison after one year in solitairy, he is hired to operate a forklift in a warehouse in the harbor owned by the Japanese Yakuza patriarch Isshin Tendo. The place is assaulted by the Italian Mafia lead by Dino Campanela and Nick rescues and saves the life of Shuji Sawamoto, who is the representative of Yakuza interests in America. Shuji hires Nick to work for Yakuza and becomes his godfather in the family after his oath to join Yakuza. However, Nick is a lonely FBI undercover agent assigned to penetrate the criminal organization. When the FBI discovers that Campanela is organizing a massive attack to destroy the Yakuza, Nick's boss Littman calls off the operation to leave the dirty work to the Italian Mafia. But the connection of Nick with Shuji and his goddaughter Yuko forces him to help his Japanese family.
Kensuke Sonomura directs the legendary Hitoshi Ozawa in this ultimate V-Cinema actioner. Kaiko City is plagued with poverty and crime. When a corrupt businessman decides to run for mayor and starts eliminating opponents from the rival mafia, a former police captain serving time for murder is secretly released and put in charge of a special task force to arrest him.