Wallflowers in the Parade

When a firefighter comes to your house, chances are that their lives were just like yours not too long ago. 70% of all firefighters in Canada are volunteers, meaning in most cases, they were just eating dinner, coaching a team, or even at their actual job. To raise awareness of the need for volunteer firefighters, "Answer the Call" will showcase the unique lifestyle of volunteer firefighters, and have them shed light on the risks and rewards of living a double life.

From the ocean, a volcanic island rises into steamy mist. The black rock of the earth stands in sharp contrast to the billowing vapor that hovers and drifts above the surface. A narrator describes how the island’s first inhabitants sought to explain the violent eruption by attributing the devastation to the wrath of angry gods. With breathtaking black-and-white cinematography, this poetic exploration considers the human relationship to this volatile land, where residents live alongside the looming threat of eruption with reverence, fear, and awe. A collection of scenes where dark and light miraculously coexist illuminates both the physical and spiritual landscapes of this extraordinary place, where life endures the perils of the natural world.

A film about filmmaking.

An interplay of horizontal and vertical lines, as well as other types of lines, found in in the public space, evokes a lyrical narrative combining them into a visual continuity in one image. Among found objects, events, and spaces, new relationships and continuations are created.

The film explores girlhood, the positives, the negatives and how that binds us together as women. A feminist film which will give an insight of how precious it is to be a woman and how we build safe environments within our female friendships which allow us to explore our femininity.

Sit down with Basketball Player and Coach, Jack Fairey, as he explains his experience with his beloved sport.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A glimpse into a visual representation of memory; A Christmas-time series of meals, coffees, and movies, with friends, lovers, and housemates. Faced with the compounding of faces and places, each moment begins to collide with one another: voices are muddled, and faces are broken. How is memory created? How are they separated from one another?

This documentary scrutinizes the Jehovah's Witnesses, and argues that the Watch Tower Society holds tyrannical control over the lives of its members.